Right now I am mostly immobile thanks to a herniated disc. I might blog about that later, but for now I want to share what has been keeping me entertained on my days stranded on the couch:
It’s 中国嫁日記 (if I were a publisher I’d translate the title “My Chinese Bride”). It’s a funny and heartwarming read, and very relatable for someone in an international marriage like myself. If you want to skip my review and get started, the entire series is free online. Just start from the first post and work your way backwards. He also sells compilations that I am considering buying for some people as gifts.
It’s the blog of a 40-something Japanese tabletop RPG designer and self-described otaku about his 26-year-old mainland Chinese wife Yue-chan, who he apparently met in an arranged-marriage style introduction from a Chinese friend. She is new to living in Japan but already speaks the language a bit because her sister also married a Japanese man and Yue thought it would be useful to know the language when visiting.
The writer (Yue calls him Jin-san based on the Chinese reading of his real name, Inoue) writes mostly about her various encounters with culture shock, many of which come from her cooking misadventures. She puts coriander in miso soup, serves oshiruko with eggs and toast for breakfast, and marvels that Japanese meat is sold pre-sliced unlike in her native Shenyang. With the story told in real time less than two years after their marriage, we get a window into their relationship as it is developing – we get vignettes about her need to clean every day, learn how she leaves out the small tsu sound in Japanese, and even a series detailing their long-delayed honeymoon to an onsen. They fight kind of a lot, but in a healthy way that seems to actually resolve their problems.
Her cute foreign accent is probably the central joke of the whole manga, and he brings up many wacky anecdotes from their life together. If it weren’t written with such obvious love and care you might be forgiven for thinking he was making fun of her. There are touching moments, too, such as when Yue was scared for her life and just wanted to be with her Jin-san just after the March 2011 quake.
In news articles, Inoue says he started the blog to provide a more personal look at Chinese people in order to help improve bilateral ties and further understanding of the many Chinese living in Japan. That is understandable, especially when many of his fellow otaku harbor strong anti-Chinese sentiment and seem to love making broad generalizations about the culture. And the series contains a lot of interesting trivia about China (Yue-chan could go visit Japan initially because at the time visiting a foreign relative was one of the few ways mainland Chinese could travel abroad). But at the same time I get the feeling this is his way of processing both the joys and frustration of married life.
Sometimes Jin-san writes about his former Chinese teacher, who had an extremely outgoing personality and left a deep impression. The sample above is one story she told him and is a good entry in our list of embarrassing Japanese mistakes. (if someone asks I’ll explain in the comments)
He started the blog without her knowledge, but the quality of the work got the better of him – it became so popular that a friend clued her in eventually. Thankfully she understood and was ok with him continuing. Now that I’m hooked, I hope he’ll keep this up for the foreseeable future!
The similarity to the classic international marriage manga ダーリンは外国人 (My Darling is a Foreigner) is obvious and probably no accident. But there are some key differences that make it more enjoyable for me. First is the real time intimacy of learning about their relationship as it happens. That makes the story feel more genuine. Also, it’s told from the man’s perspective, so I found myself nodding my head when he talked about needing his office to be a “sanctuary” where it’s sometimes ok to leave a mess. And perhaps most importantly, it is not about another American living in Japan. If it were, I wouldn’t be able to help comparing myself to him in terms of language ability and attitude toward Japan.
So if this kind of thing appeals to you (and you read Japanese of course) please please go check it out. I learned about it on a Sunday morning NHK program about successful Internet original manga artists, so I have a feeling we might even see a movie version someday.
In a couple weeks I am supposed to give a presentation (in Japanese) for my company’s family day. The topic is “common English mistakes by Japanese people.” I didn’t decide the theme, but I am hoping to use the opportunity to spread the message that speaking “wrong” English should be welcomed as long as you are at least communicating and using what you know.
And since I don’t think it’s fair to focus only on Japanese people’s English mistakes, to help make my point I am including the following anecdote about my own linguistic history:
About a month into my time as an exchange student in high school (my first-ever visit to Japan), I started staying with host parents who loved to feed me. Very, very nice and welcoming people. One time they served me hot cocoa, and I told them I liked it. Big mistake, because for the next two weeks they gave me the same hot cocoa with dinner every single night.
I was starting to get pretty sick of it, but I wanted to be polite and as such didn’t want to say no without doing so properly in Japanese. So I looked up how to say “I am getting tired of X” in the dictionary and went to my host mother and told her:
ココア、飽きたです (broken Japanese for, “I sick of cocoa”)
Her reaction? She looked shocked, started to cry, and asked why I would say such a thing. She then got her husband, and he demanded an explanation. I was starting to get nervous at this point, so I just repeated ココア、飽きたです thinking they’d get it this time. They didn’t and just seemed to get even angrier and more hurt…
Sweating now, I tried a few more times with different, untested sentence structures, mustering all my training from stateside Japanese classes. (ココアおいしいけど飽きたです?). With each utterance, they would look at me curiously and then start talking among themselves in words I couldn’t understand.
Finally, it dawned on me – ココア、飽きたです sounds a lot like ここは、飽きたです (I sick of this place). So I finally found the bag of cocoa and started pointing to it, saying ココア ココア！！
Once they finally got it everything settled down. But for a moment I thought I might be in some serious trouble for making a cultural faux pas. I had heard how much Japanese value social protocol, so until I realized the mistake it seemed like saying no to cocoa was a really big deal. I still feel bad about making my host mother cry.
Have any of you had similar linguistic misadventures? Please let me know in the comments section. Note that if your story is really good I might have to steal it for my presentation!
One of the more entertaining characters I’ve run across in my studies of Taiwan is has been George Psalmanazar, one of the famous hoaxers of all time. Born around 1680, nothing factual is known about his early life, even his country place of birth, although he later claimed it to be somewhere in southern France, which was allegedly corroborated as likely by those who had heard his French dialect, while doubted by those who were familiar with his ability to impersonate such dialects.
Regardless of where he spent his early years, upon completion of his education Psalmanazar began traveling around Europe, attempting to scam his way to Rome by impersonating an Irish pilgrim. Upon realizing that Ireland was neither exotic enough to elicit much interest from potential marks nor far enough to be entirely unfamiliar, he began instead impersonating a rare pilgrim from the distant land of Japan, and later to the even more exotic and lesser-known island of Formosa, which we now usually call Taiwan.
His wild tales of alien customs and bizarre foreign lands were popular, and after a detour through Rotterdam he arrived in London in 1703, where he became a minor celebrity. Banking on his fame, in 1704 he published a book entitledAn Historical and Geographical Description of Formosa, an Island subject to the Emperor of Japan. “Originally written in Latin by Psalmanazar, An Historical and Geographical Description of Formosa was translated into English and quickly went through two editions. A French translation appeared in Amsterdam in 1705 and interest in the book was high enough a decade later to prompt a German version, which was published in Frankfort in 1716. By this time, however, Psalamanazar’s fraud had been revealed in England and he lapsed into relative obscurity.”
This book provided a detailed description of the island of Formosa, including its history, geography, flora and fauna, religious customs, language, and so on. And virtually every single word of it was completely fictional. Psalamanazar knew all of this, he claimed, because he was himself a native of Formosa. Having been named after the great Formosan “Prophet Psalmanaazaar, who delivered the Law to the Formosans” as well as their writing, Psalamanazar was bringing knowledge of his exotic homeland to the credulous and curious people’s of Europe. In fact, not only had he never been to Formosa, or Asia at all, he knew nothing about it.
Although there were a handful of Jesuits who had been to the real Formosa, their denial of Psalamanazar’s fantastic claims were largely ignored due to the anti-Catholicism prevalent in England at that time. While it might seem absurd to us today that people would have believed such outlandish tales, consider how unreliable information on foreign lands was in the days before the photograph, the telegraph, and even regular long-distance trade to many regions. We may find it unbelievable that the English believed that a man with Western European features similar to their own could have been a native of the East Asian land of Formosa, but how many Londoners would have ever seen an Asian face themselves?
He not only created fanciful, entirely invented, accounts of Formosa all the while portraying himself as a native of that exotic island, but also invented a Formosan language, in what must have been one of the very, very few pre-Tolkien attempts at such an endeavor. Psalmanazar’s creation of a fictional Formosa was actually very Tolkien-esque, not merely in the way that it included a fictional language, but in the way that the development of the language was linked to the invented history. Although the fantasy island was named after the real island of Formosa, and the title of the book claimed that it was “an Island subject to” the very real island of Japan, the descriptions of the customs, geography, history, and language of these real places was very nearly as invented as that of Rivendell or Gondor. Psalmanazar describes the language of Formosa as follows:
The Language of Formosa is the same with that of Japan, but with this difference that the Japannese do not pronounce some Letters gutturally as the Formosans do: And they pronounce the Auxiliary Verbs without that elevation and depression of the Voice which is used in Formosa. Thus, for instance, the Formosans pronounce the present Tense without any elevation or falling of the Voice, as Jerh Chato, ego amo; and the preterperfect they pronounce by raising the Voice, and the future Tense by falling it; but the preterimperfect, the plusquam perfectum, and patio poft futurum, they pronounce by adding the auxiliary Verb: Thus the Verb Jerh Chato, ego amo, in the preterimperfect Tense is Jervieye chato, Ego eram amass, or according to the Letter, Ego eram amo; in the preterperfect Tense it is Jerh Chato, and the Voice is raised in the pronunciation of the first Syllable, but falls in pronouncing the other two; and in the plusquam perfectum the auxiliary Verb viey is added, and the same elevation and falling of the Voice is obsery’d as in the preterit.
The Japan Language has three Genders; all sorts of Animals are either of the Masculine or Feminine Gender, and all inanimate Creatures are of the Neuter: But the Gender is only known by the Articles, e.g. oi hic, ey hoec, and ay hoc; but in the Plural number all the three Articles are alike.
TheJapannese wrote formerly in a sort of Characters most like those of the Chineses; but since they have held correspondence with the Formosans, they have generally made use of their way of writing, as more easy and more beautiful; insomuch that there are few now in Japan who understand the Chinese Characters.
To get an idea of how famous Psalmanazar actually was in his time, consider that he was referenced very prominently in Jonathan Swift’s famous satirical essay A Modest Proposal, in which Swift uses him (albeit spelled a bit differently, perhaps due to imperfect memory and a lack of handy reference) as part of his case for the encouragement of cannibalism.
But in order to justify my friend, he confessed, that this expedient was put into his head by the famous Salmanaazor, a native of the island Formosa, who came from thence to London, above twenty years ago, and in conversation told my friend, that in his country, when any young person happened to be put to death, the executioner sold the carcass to persons of quality, as a prime dainty; and that, in his time, the body of a plump girl of fifteen, who was crucified for an attempt to poison the Emperor, was sold to his imperial majesty’s prime minister of state, and other great mandarins of the court in joints from the gibbet, at four hundred crowns. Neither indeed can I deny, that if the same use were made of several plump young girls in this town, who without one single groat to their fortunes, cannot stir abroad without a chair, and appear at a play-house and assemblies in foreign fineries which they never will pay for; the kingdom would not be the worse.
The fact that must be remembered here is that not only was George Psalmanazar a famous public figure in Swift’s time, but that by the year in which A Modest Proposal was published, 1729, Psalmanazar’s account of Formosa was already been widely known as a fraud, the author having had confessed as much in 1707. While Swift’s essay is still widely read, virtually no modern readers will have any clue to what he is referring in this paragraph, and even fewer will realize that much of the basis for the humor in this section is due to the fact that the essayist is attempting to prove his case by referring to a a source that, at the time of publication, would have been recognized by Swift’s audience as not merely fraudulent, but famously and comically so.
Following the end of his career as a hoaxer, Psalmanazar used his celebrity to start a career as a legitimate writer, producing such works as The general history of printing: from its first invention in the city of Mentz, to its first progress and propagation thro’ the most celebrated cities in Europe. Particularly, its introduction, rise and progress here in England. The character of the most celebrated printers, from the first inventors of the art to the years 1520 and 1550: with an account of their works, and of the most considerable improvements which they made to it during that interval, published in 1732. As a now-respectable man of letters, he became friends with such luminaries as Samuel Johnson.
Although he revealed his fraud as early as 1707, details were not revealed until the year after his death. Naturally, this was in the form of a book, which is wonderfully entitled: MEMOIRS OF ****. Commonly known by the Name of George Psalmanazar; A Reputed Native of Formosa. Written by himself, In order to be published after his Death: Containing An Account of his Education, Travels, Adventures, Connections, Literary Productions, and pretended Conversion from Heathenism to Christianity; which last proved the Occasion of his being brought over into this Kingdom, and passing for a Proselyte, and a member of the Church of England.
The one thing that he never revealed, even in his posthumous memoir, was his real name. As far as I know, no details of his early life have ever been verified.
The table of contents, as well as some all too brief excerpts of Psalmanazar’s first book, An Historical and Geographical Description of Formosa,can be found here, but until earlier this year it was very difficult to get one’s hands on a copy of the English version of the book, at least outside of certain libraries. Although it was published in Taiwan a couple of years ago, that was a Chinese translation, which even if I could read well would hardly be as entertaining. Original copies are very expensive, with the English first edition going for US$1426 on a rare book site, and the French version selling at an even less accessible $1900! Copies of his memoirgo for a technically more affordable, yet still entirely unaffordable $600 or so.
Luckily, not only has an affordable reprint edition of both his Description of Formosaand his Memoirs(as well as some others) are available for purchase online. However, even better, just the other day I managed to locate a scanned electronic edition of both books, freely available in an archive of the British Library. As the online version only seems to be accessible from licensed institutions, such as libraries and universities, I am providing both of them for download as PDFs. Since their PDF creator can only generate files up to 250 pages in length, both of them have been split into two files. Scans of 300 year old books, these files are as public domain as they get. Feel free to spread them far and wide.
Update [August 5]: I regret that I forgot one very important detail from this when I first published it yesterday. While Jonathan Swift may be the most significant literary reference to Psalmanazar’s imaginary Formosa, it is not the only one. Many readers may be familiar with Alan Moore and Kevin O’Neill’s wonderful comic book series The League of Extraordinary Gentlemen (and hopefully not the abysmal film based on it), in which they spin a version of our world in which every fantastic story, character, and geography is integrated into a single tapestry. While the story proper is mainly told in the form of comic book panels, Volume Two (for sale here, and highly recommended) contains, in the form of a lengthy appendix, a sort of gazetteer of this fantastic geography, which contains the following text.
We passed east of Zipang, or of Japan as it is these days called, and went south by way of Formosa, which possesses of its coast another smaller island of the same name, where the women and the men go naked save for plaques of gold and silver.
Zipang is in fact one spelling of the Shanghaiese reading of “Japan,” formerly used by some Europeans and thought to be the origin for the modern spelling. Moore here is obviously referencing Psalmanazar’s Formosa, as we can see from page 225 of the Description (first page of PDF Part II). By describing this Formosa as “another smaller island of the same name”, Moore is cleverly leaving room on the map for both the real and fantasy Formosa.
The great difference between the Japannese and Formosans, consists in this, that the Jappanese wear 2 or 3 Coats, which they tye about with a Girdle; but the Formosans have only one Coat, and use no Girlde. They walk with the Breast open, and cover their Privy parts with a Plate tied about them made of Brass, Gold, or Silver.
Incidentally, Moore’s reference to Formosa is located just above a large illustration of Laputa – which readers may remember from either the eponymous Miyazaki Hayao film, or its original source: Gulliver’s Travels, by Jonathan Swift. When one considers that Swift was clearly a fan of Psalmanazar’s imaginary geography, it actually seems quite reasonable to wonder if perhaps the Description of Formosa was an influence on Gulliver’s Travels, which as a chronicle of fantastic geography has some undeniable similarities.
The coming together of of shojo manga and glam rock that created Visual Kei in the 80s.
How Japanese recording acts are formed and popularized.
How popular bands find ways to maximize revenue from fans (selling photos, lots of “limited edition” merchandise, and special izakaya parties for the most gullible/hardcore fans)
Where the labels go to find talent (it’s mostly ex-thugs).
Why Japanese record producers — think Yasushi Akimoto of AKB48, Tsunku of Morning Musume, etc. — are so heavily relied upon to produce every aspect of the final product that they become drug-addled auteurs.
The typical salary for a visual kei band member (lots of in-kind perks, very little cash)… and why they put up with it
The willingness of label bosses to forego short-term financial gain in favor of long-term connections (perhaps an ubiquitous aspect of Japanese business relations)
For some reason he’s been sitting on this gem since 2008! Shame on you, man.
It’s hard to tell the credibility of some parts, but I think it’s easier to swallow as a true-to-life mockumentary than as a faithfully transcripted interview.
To close out, here’s the video for one of my favorite viz-k songs, Luna Sea’s “Tonight”:
Apparently my profile is high enough that someone in China wants to sell me Metal Fun. I guess they finally realized that I don’t need any Viagra?
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CHICAGO (AP) — The Sears Tower, one of the world’s iconic skyscrapers and the tallest building in the U.S., was renamed the Willis Tower on Thursday in a downtown ceremony, marking a new chapter in the history of the giant edifice that has dominated the Chicago skyline for nearly four decades.
The linked story might claim the building is being named after an insurance broker. But that’s just not true. Everyone knows the building was named after the late native Chicagoan and prolific schizophrenic songwriter Wesley Willis.
Rock over London! Rock on Chicago! Taco Bell: Make a run for the border!
As a fan of his since junior high, I was shocked when Willis died in 2003. I couldn’t think of a better tribute than to name a huge building after him!
Seiyu is a discount supermarket/general retail store that’s owned and operated by Walmart. Since first investing in the chain in 2002 and eventually taking a 95% stake, Walmart has reportedlynever managed to make the stores profitable. I am not here to judge why that might be, but today shopping there I came across some evidence of why they might be having trouble making headway in the Japan market:
The letters KY are apparently intended to stand for “kakaku yasuku” (low prices), which would make the whole phrase “non-stop low prices” a translation of Walmart’s “Everyday Low Prices” slogan into Japanized English. Ironically enough, someone must not have realized that “KY” in Japan was last year’s buzzword and literally means failing to respond appropriately to the situation at hand.
Since a couple was joking about it on their way in, I can be sure I wasn’t the only one in on the joke.