Media – Page 5 – Mutantfrog Travelogue

Read (part of) the unofficial final volume of Doraemon that the MAN doesn’t want you to see!

Doraemon fans: In you’re like me and missed this scandal back in 2007, take a look at this Flash sample of the dojinshi “final volume” of Doraemon that was suppressed by publisher Shogakukan for basically becoming too popular. This is just a sample, but the early pages promise much intrigue – Doraemon’s battery dies when Nobita is still a boy, so he vows to bring his best friend back to life by becoming the world’s premiere robotics engineer.

Here is a video of a 2007 Japanese news story describing the scandal.

According to Wikipedia, Japan’s copyright laws, based on a 1997 Supreme Court case, hold that while there is no copyright on a manga character, depicting those characters in a specific manga without permission would constitute a copyright violation. Usually, the publishers do not take action against dojinshi publishers because they are a valuable way for fans to get the most out of their favorite characters, and they serve as practice to develop the next generation of artists. However, this case “crossed a line” – Shogakukan and Fujiko Productions were apparently worried that giving readers the impression that the Doraemon series is over would dampen interest in future movies or other derivative ventures. They demanded that the man cease selling the manga and give them whatever money he made from it, demands which the author agreed to. Tragically, it appears that he gave up drawing manga entirely following the scandal.

(h/t to Aceface for the links)

Which Japanese prefectures sell the most lottery tickets per person?

Ever wonder which parts of Japan gamble the most? No? Well, stick with me and you might learn something about which prefectures are most willing to line up and pay the poor tax.

Each year, Mizuho Bank (which has a special relationship with the lottery from its days as a government bank) tallies the total number of lottery (Takarakuji) tickets sold and divides that number into each prefecture’s population to obtain an average per capita spending total. According to their numbers for fiscal 2007 (as reported in the Nikkei), the top ticket buyers were Tokyo, Osaka, and Kochi prefecture in Shikoku. There was a huge gap between the top of the list (Tokyo’s 12,933 yen) versus the bottom (Yamagata’s 5,328 yen). The top prefectures tended be prefectures that house large cities, such as Aichi.

UPDATE: A typical lottery ticket in Japan costs around 300 yen, meaning that Tokyo residents buy around 43 tickets a year or just about one every week.

Prefectures with the lowest home ownership rates tended to buy more lottery tickets. Tokyo and Osaka, the first and second highest per-capita lottery players, also have the two lowest home ownership ratios, in the same order. Okinawa has the third lowest, and its residents are Japan’s sixth biggest lottery gamblers. On the other hand, Aichi, another prefecture full of takarakuji hopefuls, had the seventh lowest home ownership ratio. (Bonus fact: Toyama prefecture had the highest home ownership rate in 2003 (around 80%). Toyama residents play it relatively safe with a middling per capita lottery spend of between 7,000-7,999 yen).

The outlier was Kochi prefecture, however, indicating that low home ownership, a signifier of relative poverty, does not make up the only factor explaining the results. An official from Kochi prefecture’s budget division speculated, “Perhaps the prefecture residents’ nature of determination and love of gambling had an impact.”

A brief overview of Japan’s lottery system

Though it only brings in about 1/20 the revenue of the almighty pachinko, Japan’s lottery, with its estimated 15,000 or so ticket booths outside train stations (more booths than pachinko parlors, one for every 8,600 people), has been a highly visible form of legal gambling in Japan throughout the postwar era, along with horse racing, yacht speedboat racing, bicycle racing, and mahjong.

According to Wiki Japan, lottery-style gambling in Japan got its start in the Edo period as Shinto shrines and Buddhist temples offered tomikuji (essentially the same as a lottery) in order to raise funds for repairs. Over the years, tomikuji faced various bans from the authorities, and private-sector lotteries remain criminalized to this day. In July 1945, a desperate wartime government instituted a lottery, but Japan surrendered and chaos reigned before a drawing could even be held. A national government-backed lottery was re-instituted during the US occupation in 1948, though it was abandoned in 1954, leaving only regional lotteries. Takarakuji took its current form in 1964 with the foundation of the Japan Lottery Association, a grouping of the regional lotteries.

According to association data, in fiscal 2007 (the period covered by the above survey) Japanese gamblers bought 1.0442 trillion yen in tickets, or about 8,200 yen per person. The US doesn’t have a national lottery per se, but the UK does – on average, UK residents spent 80 pounds (12,905 yen by the current exchange rate) per capita on national Lotto in 2008. The UK lottery’s press kit (PDF) claims that 70% of adults are regular players (but doesn’t cite a source), while a 2007 poll from Japan’s lottery association found that 55% of those polled had purchased at ticket at least once in the past year. The UK system, in which operations are contracted to a private company, appears to be more efficient than the one in Japan. According to the UK press kit, 10% of every pound spent on lottery tickets goes to operations and expenses (5% in dealer commission, 4.5% in operating costs, and 0.5% in shareholder dividends), versus 14.4% of each ticket in Japan (with 45.8% going to paying winners and 39.8% going into the general accounts of each prefecture and major cities).

The odds of winning a current popular Japanese game Loto 6 is 1 in 6 million, which is comparable to other lotteries I am familiar with in the US (and of course less likely than getting hit by lightning).

See the full list after the jump!

Continue reading Which Japanese prefectures sell the most lottery tickets per person?

CNN busts out its herbivore intern

“Some guys still try to be manly and try to be like strong and stuff, but you know personally I’m not afraid to show my vulnerability because being vulnerable or being sensitive is not a weakness.”

That’s former CNN intern Junichiro Hori, quoted in a CNN article on the “herbivore men” phenomenon. Nice to see that they have in-house experts in addition to their outside advisors, i.e. the great scions of Saitama high society.

Midori Saida, a 24-year-old woman sporting oversized aviators and her dyed brown hair in long ringlets, said “herbivore men” were “flaky and weak.”

“We like manly men,” she said. “We are not interested in those boys — at all.”

It’s an amusing article overall. The use of random weirdoes to speak for the broad demographics of herbivore men and Marukyu women reminded me of this instant-classic Onion piece:

Nation’s Girlfriends Unveil New Economic Plan: ‘Let’s Move In Together’

Random gaijin mail magazine dude nails it on Japan’s media-fueled swine flu panic

(Updated below)

I don’t remember when, but at some point I became subscribed to this guy’s mail magazine “Glimpses of Japan.” I can’t remember and can’t find the full name of the author (maybe he’ll come forward!) but his name is Mike, from a picture I saw once he looks like he’s in his late 40s, and he works at NEC Learning which is a provider of what appears to be classroom technology. He’s been in the country for what seems like forever and has an interesting sort of grizzled veteran’s take on developments here, though this seems to be written with an ESL audience in mind.

More often than not, he’s griping about the traffic in Tokyo, but this week’s post was so spot-on I want to share it with you in full. Enjoy:

Media Malady

2009.5.22
*****—————————————————————–*****

Once again I’m bemused by the pathetic state of the mass media here, particularly the TV news. The phrase “media circus” is often used to describe the antics of (especially) broadcast media when they get into frenzied over-reporting mode, but I don’t think that’s appropriate for the Japanese media’s latest hysterical outpouring of pseudo-news: if it were a circus it would at least be entertaining.

It’s bad enough that the Japanese government has decided to regard the “Novel Influenza A (H1N1)”, previously called the “swine flu”, as if it were much more serious than the rather mild, easily treatable influenza virus infection that it is. The media have been treating the “outbreak” as if it were the Black Death.

Breathless, serious-looking reporters stand in front of hospitals saying, in worried tones, things like, “this is the hospital where the 16-year-old high school student flu patient is staying”. I understand that TV news is a visual medium, and that they want to be able to show something, but a guy standing in front of a building just isn’t newsworthy, particularly when they are avoiding giving the names of the patients and the hospitals, for privacy reasons. It’s just not *news*, and serves only to make people more anxious about something barely worth worrying about.

With companies and local governments over-reacting by closing down schools, postponing events, and canceling business trips, an aura of panicked fear is being encouraged and expanded by the media’s relentless and largely content-free approach to reporting what little actual news there is. Huge signs on news sets show the number of people who have contracted the flu nationwide (not very many, actually, as a percentage of population, roughly comparable to the number of traffic accident *deaths* in Tokyo in a year), many of whom are already nearly recovered.

It can’t be making people feel more confident to see that, even with the science-fiction-like biohazard suited crews going aboard aircraft before passengers disembark, the flu still managed to spread, either.

There’s also more than a little xenophobia involved in the reporting, and in people’s responses to the influenza news.

I understand that there have been clueless, panicked, ignorant people asking local governments whether it’s safe to hang laundry out to dry and whether their pets are in danger. In the true spirit of TANSTAAFL, I also understand that many of the high school and junior high school kids who have been prevented from attending school in order to stop the spread of the flu…are taking advantage of the time off to gather in Karaoke rooms. That’s bound to be counter-productive.

Speaking of counter-productive, having the prime minister appear on TV in a kind of public service announcement, looking worried as he tells people not to be anxious and not to over-react or to believe spurious rumors…*that’s* a great way to cause people to worry *more*, not less.

I have a large capacity for being amused at the bizarre and the stunningly ridiculous, but the current exaggerated media handling of what should be a very minor issue
exceeds my ability to laugh.

I was, it’s true, cynically amused by a friend’s suggestion that the whole government/media pseudo-news frenzy/circus is a conspiracy to take the Japanese public’s mind off the terrible economic conditions and the administration’s inability to deal with them. I don’t seriously think that’s the case, but it would at least be more logical than what the truth seems to be.
Glimpses of Japan vol.240

On the surface, the overall media reaction to what could have been a serious outbreak seems fact-based and rational (with notable exceptions!). They followed every government move and reported on the infections. And basically the government did what it should have – maybe there was an over-emphasis on masks and they were a little slow to switch tactics when the virus turned out to be relatively harmless. But I have to agree with Mike and Takashi Uesugi who argue that the media completely freaked out over the swine flu. The breathlessness, the dead-serious tone, and the constant “breaking news” of every miniscule detail of the story all have combine to create an fearful atmosphere that’s truly numbing when you realize how comparatively non-threatening this flu virus really is.

That’s what leads people to believe they all need to wear masks to prevent infection, which did in fact cause well-publicized runs on the masks and opportunistic online auctioners. As Durf noted on Twitter, “The media set out to increase media importance to viewers, as usual; breathless reporting on panic-worthy stuff is the way to go!” This was the media trying to make themselves seem important through play-by-play reporting on whatever the scandal of the moment happens to be. A recent example of a how this behavior can get a little overblown was the flap over whether the kanji test guys made too much money from their massively popular product.

I don’t think the media all sat down and decided to incite panic. In fact, maintaining the status quo and helping to keep public order seems to be one of their missions that they take seriously. What’s more likely is every media outlet decided to take this threat very seriously and follow this potentially age-defining story closely, as they always do for the scandal/story de jour. Just in the case of a flu outbreak, the sum of their actions proved incredibly neurosis-inducing. As usual, whenever someone tells you “stay calm” or “don’t panic” that’s usually exactly what makes you start to panic!

On that last line about a government conspiracy to crowd the headlines with flu stories – I personally think there is something to it. The government (meaning the Aso administration, not the health officials) doesn’t have to have orchestrated the entire media response to fuel it to their advantage. And not everyone in the government is necessarily on the same page. Looking at health minister Masuzoe’s press conferences, for example, I get the impression that rather than cheaply exploit the scandal by burying other stories and panicking the public, he seeks to project an air of competence and cool-headedness (Aso’s “nobody panic” TV commercials, on the other hand, are a different story). And from a health standpoint the actions taken don’t seem too insane. I mean, the health checks and monitoring were necessary, and they didn’t do anything drastic like shut down Osaka just to help Aso’s opinion polls.

But it seemed like there was something in the public announcement that could have egged the media on. One especially dubious move was the government announcement that they specifically requested the mask companies to boost production – as if they needed to be told! Truly, it would be tragic and counterproductive if actual sick people couldn’t get their hands on masks because fearful healthy people bought them all.

What the government should be doing but isn’t doing enough of is actively calming people without screaming OK NOBODY PANIC. A good example was what Masuzoe did last week – he explained the facts about the flu without exaggeration or alarm and noted that the current status of the outbreak meant the government could tone down its response and stop in-flight inspections.

Interesting side note!!! On the asahi.com front page is this line advertising their swine flu special full coverage section: 予防にはまず手洗い “For prevention, first wash your hands”

Funny, what happened to listing masks first as the best line of defense just a week ago?! Well, since I posted my anti-mask rant (which itself attracted a decent readership in the Japanese blogosphere thanks to mozu which may inspire me to write some more in Japanese despite mozu’s warning of the “risk”) blogs and several major media outlets (Yomiuri print edition, Asahi (“don’t believe in masks too much”), and J-Cast so far as I can tell) have noted the CDC/WHO recommendations and the practices of other countries. Durf notes that at least one doctor on TV said to “ignore masks.” Unfortunately I don’t have time to document this in detail, but it is interesting to see how the message has evolved from GO GET A MASK NOW to some more rational consideration.

Most of the reaction came as a result of stories from places like the LA Times, so I think whatever impact I had was very small. But I think it was healthy that there was some signficant skepticism and pushback over the recommendations for EVERYONE to go out and get a supply of masks.

As the virus spreads to Tokyo, the call for MASKS MASKS MASKS will not end. The train operators are already campaigning for it in what seems more like a CYA maneuver than anything else. I mean these companies may be sued or publicly shamed if they don’t put forth a forthright and careful response. (Are you for preventing the flu or are you siding with the terrorists?) But at least we can remember to just consistently wash our hands and cough into our sleeves, we don’t need to succumb to this ill-informed misinformation.

Update: Somehow I missed this: the head of the health ministry’s flu response came out on May 21 to declare that it’s not necessary for people to wear masks “in outdoor areas where there is not much crowding.” And went on to explain, “Masks are intended to prevent infected people from spreading the virus. Please wear one if you have a cough.”

Bloomberg on love hotels

(UPDATED final paragraph for accuracy)

“Chris Cooper and Makiko Kitamura” of Bloomberg deliver this suspiciously well-researched report on Japanese love hotels. This comes hot on the heels of a recent Bloomberg article on the pachinko industry, and if you don’t mind me saying so it’s some of the best reporting on Japanese society I’ve seen in a while. I guess it takes a no-BS investor’s perspective to get the proper balance on these topics – none of the all-too-common falling back on superficial cliches, insensitive moralizing, and sensationalism that exaggerates the phenomenon or makes it seem uniquely strange.

Anyway, here are the relevant takeaways:

There are 25,000 love hotels in Japan. (more than double the number of normal hotels counted in govt stats! (PDF from source provided in the report)
Stays range from 3,000 yen for several hours at low-end places to 50,000 yen a night for a “romance package” at the Westin (that hotel’s attempt to cash in on demand from the love hotel sector).
A London-based company called Japan Leisure operates love hotels in Japan and is traded on AIM, the London Stock Exchange’s deregulated market for startup companies. Other foreign investors are apparently also involved in the love hotel industry.
Love hotels are popular for their anonymity and convenience, as Japanese urban-dwellers (60% of the population) have trouble bringing dates home to often tiny apartments. The hotels also often offer a luxurious experience and amenities that would be inconvenient to keep at home. (” As well as the intimation of a Leonardo-Kate liaison, Japan’s love hotels lure customers with lower rates, jacuzzis and even maid-costume rentals.”)

Earlier this year, a mini-scandal erupted as police cracked down on hotels that registered as business hotels or ryokan (traditional Japanese lodges) but in fact operated as love hotels with hourly rates and all the rest. They had to do this in order to operate in zones within 200 meters of schools or libraries, where the construction of love hotels is banned under the law regulating fuzoku (adult entertainment and other restricted entertainment such as video arcades, mahjong parlors, and dance clubs) and local ordinances.

ENOUGH with the masks already! インフル予防効果のビミョーなマスク着用は不要

(Updated below)

DEAR JAPAN – YOU DO NOT NEED TO WEAR MASKS IF YOU ARE NOT SICK OR PARTICULARLY AT RISK FOR SWINE FLU!!!!!

In Japanese for clarity:

日本の皆様へ：豚インフルエンザを予防するには、マスク着用の効果は低いのである。これはＷＨＯの発表でも明らかであり、日本の各メディアでマスクの推薦は、十分な裏づけがあるとは言えないだろう。

世界保健機関（ＷＨＯ）及び米当局の米疾病対策センター（ＣＤＣ）は、マスク着用に関するガイドラインを発表しており、いずれも「どちらかというとマスク着用を推薦しない」との立場だ。主な理由は、マスクを正しく使用しないと逆に危険だからである。ＣＤＣによると、インフルエンザの症状が出ている者に対して、一人じゃない時や公共の場にいる時などはマスクの着用を推薦しているが、それ以外のケースについてはあえて「マスクの着用や呼吸装置の使用を推薦しない」としている。オバマ大統領なども言うように、よく手を洗ったり、うがいをしたり、セキをするときは袖で口を防いだりすることで十分らしい。

一方、ＷＨＯのサイトをそのまま引用すると「気分が悪くなければマスクを着用する必要はない。患者の面倒を見ている方は、その患者に近くなるときのみマスクを着用し、接触した後にすぐマスクを廃棄し、手を良く洗ってください。気分が悪いときでも出かけないといけないときは、口と鼻をふさいでください。マスクは、いつも正しく使用することが大事。もし誤った使い方をしてしまうと、かえって感染のリスクを高めるのである。」

要するに、日本でみるような、一日中同じマスクを着用し続ける習慣は逆効果ということだ。花粉症対策などでは、マスクの効果はあるようだが、周りの人の顔が見えないなど、社会的デメリットも多いと思う。豚インフルエンザの問題はともかく、日本のマスク文化のメリットがそのコストに見合うのか、疑問を抱かざるを得ない。

English translation:

People of Japan: Sanitary masks have little effect in preventing swine flu. This is clear from WHO reports and indicates that the Japanese media’s recommendations to wear masks do not have sufficient basis in fact.

Both the WHO and American CDC have released guidelines for the use of masks, and they have both taken the position that on balance masks are not recommended. The main reason is that they could actually be dangerous if not used correctly. According to the CDC, masks are recommended for people who have flu symptoms if they are not alone or if they go in public, but for all other cases they specifically state “masks and respirators are not recommended.” As President Obama and others have stated, it is likely enough to gargle, wash your hands often, and be sure to cough into your sleeve.

To quote from the WHO website, meanwhile, “If you are not sick you do not have to wear a mask. If you are caring for a sick person, you can wear a mask when you are in close contact with the ill person and dispose of it immediately after contact, and cleanse your hands thoroughly afterwards. If you are sick and must travel or be around others, cover your mouth and nose. Using a mask correctly in all situations is essential. Incorrect use actually increases the chance of spreading infection.”

In other words, the practice of wearing the same mask all day long as seen in Japan is actually counterproductive. They may have some effect in fighting hay fever, but there are social costs such as not being able to see people’s faces around you. Setting aside the swine flu issue, I cannot help but be doubtful as to whether the benefits of Japan’s mask culture justify the costs.

Even as concern over swine flu appears to be subsiding, Japan remains on high alert. The conspiracy theorist inside me wonders if the hysteria has to do with PM Aso’s fight for political survival, as the economic turmoil has apparently whetted his appetite for building public support through fanning crisis. My case in point was a dead-tree op-ed in the Nikkei last week by a member of the editorial board (I think) who openly wondered if the swine flu would open the door to a glorious LDP-DPJ grand coalition (this was before Ozawa stepped down).

Even without a potential pandemic, many people in Japan wear masks when they are sick or stricken with allergies during hay fever season (starting at the end of winter and lasting off and on through May or so), backed by common recommendations by doctors. In fact, a recent Nikkei article noted that while masks used to be limited to hay fever season and when some people were worried about spreading colds to others, the practice has increased in recent years as people have become more used to them and earlier flu epidemics resulted in official campaigns to encourage people to wear masks. Today, they have become so widespread that people now use masks for non-health related reasons, such as to hide their faces. Some even report prefering to use masks in public to guard from germs in general or just as a kind of coping mechanism. It has gotten to the point that masks are a big business, and various innovations have come out to meet the needs of regular users. A recent article in magazine Hansoku Kaigi (Promotional Meeting) featured the success of campaigns to promote more advanced masks that are designed not to fog glasses (glasses-wearers make up a disproportionate share of mask wearers).

While railing against mask use is probably one of the most tired gaijin complaints, my gripe is not categorical – I am willing to accept actual, justified uses for the masks. For instance, on the topic of hay fever, the US-based Mayo Clinic website (itself sponsored by drug companies) only recommends them “when doing outdoor activities such as gardening.” I will accept that for some people the pollen season in Tokyo can feel like you are constantly working in the garden. Hay fever in Japan is all too common due to the widespread cedar forests planted in the 50s in a failed attempt to develop a homegrown lumber industry. I too have felt as if I might develop hay fever just sitting at my desk. But even still, their widespread use outdoes even this justifiable concern.

Still, my chief gripe with them is only tangentially related to their effectiveness. I simply feel like a society where a third of the people is constantly hiding their faces is kind of depressing and unfriendly. If the masks were saving hundreds of lives a year it would be one thing, but the WHO actually warns against their widespread use!

This revelation really hit home on my way back from the US on a JAL flight direct from New York earlier this week. All the flight attendants wore masks to prevent infection during the height of the alert. While I will not fault them for protecting themselves, the usually sunny customer service came up a little lacking when I couldn’t be sure whether they were even smiling or not.

Worst of all is the uncritical recommendation of masks by the Japanese media (as can be currently seen on the Asahi.com front page), flying in the face of WHO recommendations. Considering that the pharmaceutical companies (who make the masks) are ubiquitous advertisers in the media conglomerates (this blogger caught a documentary with one drug company executive laughing his ass off at how easy it is to sell masks), it is probably difficult to push back if it’s suggested that masks are the answer.

I realize that this post may in fact trigger a backlash among Japanese readers as I am a foreigner. I have heard it said from both Japanese and foreign commentators that using a mask to prevent the spread of germs is a uniquely Japanese form of politeness and selflessness that is hard for foreigners to understand (this phenomenon is also mentioned in the Wikipedia page on masks as a “decisively different” aspect of mask culture as opposed to other countries).

But I feel like this kind of misses the point. According to that same Wikipedia article, other countries, including the US, have seen widespread use of sanitary masks at various times in the past, such as the 1918 Spanish flu epidemic. But that is no reason to support the situation in Japan today.

Supposed folk beliefs and customs in all modern societies are often manufactured or encouraged by marketers with something to peddle (diamond wedding rings, it’s unlucky to light three cigarettes with one match, etc.), and I feel like this is a case in point. In this case, the marketers are preying on perceived danger as a ploy to develop regular customers of an ultimately unnecessary product with side effects that are, as I mentioned, generally depressing and antisocial.

UPDATE: Reuters points out that masks are far from the only official recommendation to prevent swine flu.

We Tokyo! Very bad here! Very bad Tokyo!

What is it about Hollywood that it can’t authentically portray Japanese people and the Japanese language to save their lives?

I use Hollywood here to collectively refer to all US film and TV media producers. From the Chinese actors in Memoirs of a Geisha to the Korean actor who plays Ando Masahashi on Heroes, Hollywood rarely bothers about accuracy when casting Japanese people and having actors speak the Japanese language. In defense of the casting in Geisha, Spielberg said that talent was more important than nationality. As for Heroes, the cause is entrepreneurial script writing, where the -Japanese- Korean and Japanese-American actors translate the English lines on set and say whatever Japanese they think sounds right. Time and time again the Japanese script is written badly, spoken poorly by actors who appear to have been casted because they were available and happen to have an Asian face. The end product is rarely checked for accuracy or authenticity. The result: a linguistic clusterfuck that’s excrutiatiny for Japanese speakers to watch.

Why the rant? This came to my mind because I was watching Diary of the Dead, the latest George Romero zombie flick, filmed with mock handheld cameras in the same manner as The Blair House Witch Project and Cloverfield. Check out this excerpt where the characters supposedly see a youtube video of a women from Tokyo who speaks about the situation in Japan.

I know how a Japanese person can speak English well. And I know how a Japanese person can speak English poorly. This is neither — it’s a native English speaker with an Asian face doing a bad job at faking a Japanese person’s bad English accent. (Her accent comes off as Hong Kong English blended with U.S. college campus mockery of Manhattan Chinatown English). And as for cultural accuracy, the woman in the video warns viewers not to bury the dead — laughable when said by a person in Tokyo, as that’s the last thing that ever happens to the dead in Japan, where cremation is the rule because there is no real estate to spare.

A remedy to this casting problem is super-obvious. You could find a Japanese person in any North American city to do a perfectly authentic job for minor roles such as this. And if Hollwood insists on using other actors, you could use the same such person to coach the actor or actress to not sound like such a fraud. It wouldn’t take much for Hollywood to avoid sounding ridiculous in Japan (an enormous market for consuming American film and TV media), and avoid being mocked by bloggers such as myself.

As for zombie attacks, Tokyo would be the absolute worst place to be stuck in the event of a Romero-style zombie attack. The city is crowed, guns are scarce, and there are few isolated areas to which the survivors could escape. It would be intense. And actually… that sounds like a great movie idea! If anyone in Hollywood wants to pursue that, I volunteer my services in screening the cast.

In defense of unicorns

I have noticed a recent habit of political pundits to mock perceived idealism and naivete with phrases like “rainbows and unicorns.”

For instance, a commenter on the latest episode of The Young Turks, in explaining that Arlen Spector has never been principled (he was the guy who voted for a bill that he himself argued would set human rights back 700 years), noted that “he was not voted in on rainbows and unicorns.”

In a sign of just how much of a standard cliche this has become, in the Washington Post former CIA Director Porter Goss makes the topsy-turvy argument that making the torture memos public has jeopardized national security: “The suggestion that we are safer now because information about interrogation techniques is in the public domain conjures up images of unicorns and fairy dust.” (Has anyone actually argued that the move makes us safer? I thought the whole point was it is not worth it to torture people even if it does make us “safer” and that the people who pushed for and praised releasing these memos see it as a step in disclosing mistaken and illegal policies that were done in our name)

But you know what? Unicorns are nothing to mess with! It only takes a cursory reading of the animal’s Wikipedia page to prove why:

1. Unicorns are as strong as the Lord: The bible (or rather its translators) considered unicorns “untamable creatures” and noted that God himself was only as strong as a unicorn:

“God brought them out of Egypt; he hath as it were the strength of the unicorn.”–Numbers 23:22

2. The ancient Greeks and Romans considered unicorns to be both real and fierce: The Greeks, for all their polytheism and fantastic mythology, believed that unicorns really existed somewhere in India:

Pliny the Elder mentions the oryx and an Indian ox (perhaps a rhinoceros) as one-horned beasts, as well as “a very fierce animal called the monoceros which has the head of the stag, the feet of the elephant, and the tail of the boar, while the rest of the body is like that of the horse; it makes a deep lowing noise, and has a single black horn, which projects from the middle of its forehead, two cubits in length.”

3. Unicorns are so insane that they must be placated with virgins to stop their bloodlust (see above painting): In the middle ages, unicorns were used to mix pagan stories with Christian virtues, such that “The original myths refer to a beast with one horn that can only be tamed by a virgin maiden; subsequently, some Catholic scholars translated this into an allegory for Christ’s relationship with the Virgin Mary.”

Moving into Renaissance times, Leonardo Da Vinci had this to say about how to hunt a unicorn:

“The unicorn, through its intemperance and not knowing how to control itself, for the love it bears to fair maidens forgets its ferocity and wildness; and laying aside all fear it will go up to a seated damsel and go to sleep in her lap, and thus the hunters take it.”

Bottom Line

This “unicorns are fuzzy cute happy creatures” concept apparently originates in more modern imagery, particularly the My Little Pony animated series and toys and some other “fairy princess” pop culture. A product of the 1980s, My Little Pony offered saccharine-sweet entertainment for young girls that could not have anticipated the ballooning of ironic humor in the 90s and 2000s. Hence, when Homer Simpson uttered this classic, oft-repeated line:

Ohhh look at me Marge, I’m making people happy! I’m the magical man, from Happy Land, who lives in a gumdrop house on Lolly Pop Lane!!!!…… By the way I was being sarcastic…

it was only a matter of time before someone added a unicorn in there. But as we start to retreat from irony a bit as a society (see the return of earnest saccharine with Disney hits like High School Musical and Camp Rock, along with South Park’s reaction), it might be a good time to stop equating unicorns with frivolous and naive idealism and recognize their historically badass mythological status. I mean, honestly – how happy and nice could an enchanted animal with a deadly sharp horn actually be?

Planet Joe

In a post on the Somalian piracy issue, the folks at NPR’s Planet Money point out how odd it is that some ships fly the flag of landlocked Mongolia (it comes down to tax/regulatory incentives), photo courtesy our own Joe Jones!

He’s got a bunch of other great photos on his Flickr site.

Though it may be an online-only podcast, Planet Money is fast becoming my favorite NPR program after This American Life and On The Media. They slow everything down and give context to the news, avoid shorthand and jargon, and generally make the day’s developments imminently accessible and understandable. Too often the news seems out of context and complicated, and no doubt turns away a lot of people before they can really even try and get a handle on things. Their approach is refreshing and sorely needed in other areas of the news!

The show originated as a spinoff of the amazing work they did for TAL, which is a must-listen to get a decent idea of what’s happening with the financial crisis:

The Giant Pool of Money (step-by-step, player-by-player breakdown of the subprime crisis)

Bad Bank (A follow-up made in February that similarly explains the developments of the financial crisis and what should be done with the banks)

Scenes from a Recession (This is a more traditional This American Life episode that takes a man-on-the-street approach to see how the recession is affecting people)

I’ve said it before, but I really can’t recommend these enough for anyone who’s not a “finance expert” but still wants to know what the hell is going on. In essence this stuff is really simple but made intentionally complicated by industry insiders.

SMAP’s Kusanagi arrested for drunken nudity outside Tokyo Midtown park

WOW! (English story here)

Tsuyoshi Kusanagi was arrested by Akasaka police for drunken nudity!

At 3am in Hinokicho Park just outside Tokyo Midtown in Roppongi, police found a naked Kusanagi dancing wildly making a scene (apparently not “dancing” exactly). When they told him to calm down he refused saying “What’s wrong with being naked?!” So they had no choice but to arrest him. He resisted and had to be “wrapped in a sheet” to be taken to the station. He is so ubiquitous on Japanese TV that the stations have been thrown into chaos today, in danger of having to cancel a good portion of their programming schedule and commercials (why? for some reason it is standard operating procedure to systematically blacklist a talent who runs afoul of authorities or even is caught cheating on a spouse).

Kusanagi is (was?) a member of SMAP, the pop group that gained popularity through wide-ranging appearances in variety shows, survived through the 90s into today despite numerous scandals, rumors, and accusations. Their popularity also engendered no small amount of sour grapes and cries of unfairness who felt their talent agency Johnny’s Entertainment abused their market power to set inconceivably favorable terms for their acts. But they got away with it thanks largely to their bottomless capacity to bring out their fanbase to generate ratings/sales. With this incident all those who hated on SMAP over the years have something to hang their hats on.

The SMAP members are well-known to have their lives fairly closely monitored and managed by talent agency Johnny’s Entertainment. Perhaps Kusanagi just couldn’t take it anymore as the group entered their mid-30s and industry observers wondered how they could adapt even as middle aged “ossan.”

If anything Kusanagi chose a nice park to stage his downfall in. Hinokicho is clean and boasts a “Japanese but modern and artistic” feel. Mrs. Adamu and I have enjoyed its tranquil (though crowded) lightup around Christmastime.

A little more from Bloomberg:

Japan’s government may halt advertisements promoting digital TV after the incident, as the campaign features Kusanagi, said Hideo Harada, an official in the terrestrial broadcasting section at the Ministry of Internal Affairs and Communications.

A person who answered a call to Kusanagi’s management agency, Johnny’s and Associates Inc., said there were no officials available to comment on the case. She declined to give her name or position at the company.

SMAP’s music is sold by a label under the control of JVC Kenwood Holdings. JVC Kenwood shares fell as much as 8.3 percent in Tokyo trading today, and finished the morning session 6.7 percent lower at 56 yen. The Nikkei fell 0.5 percent.