Little known outside of Kyoto is the fact that Kyoto University has the last remaining truly old style dormitory, constructed in the late Meiji era timber construction style. Opened in 1913, Yoshida-ryo (吉田寮) still exists nearly 100 years later despite decades of attempts by the school to raze it and replace it with a less scummy and earthquake-unsafe bland concrete box. A relic in both architectural and social terms, it exists today in a weird nebulous state somewhere between an official school dormitory and a giant squat-house.
When I took our friend, and current CNNGo editor, David Marx on a tour of the campus during his brief visit to Kyoto some time last year he demanded that I do a piece on Yoshida-ryō for him, and we finally got it done. For my 20 part photo gallery and a brief history of the dorm, check out my article at CNNGo.
Earlier this month, Nippon TV aired this segment about Kyoto-based ramen/Chinese food chain Gyoza no Ohsho’s somewhat, um, intense training program for new recruits. Take a look:
As you can see in the video, the trainers act like drill sergeants, berating the new employees as they memorize and recite company rules, receive intensive training in Japanese-style customer service basics (scream a lot, always smile), and make sure their uniforms are on right. They even have a specially designed calisthenics routine, to “check whether they can do even simple work with their full effort.” At the end, each trainee must step forward to announce their “ambitions” i.e. what they hope to accomplish as Ohsho employees. If they pass, they all seem to break down crying, at which point the trainer comes up and embrace them.
The scene recalls either a Christian revival meeting, a self-help seminar, or perhaps a Marxist self-criticism session.
It’s kind of shocking to watch, but it’s not the first time I’ve seen this style of training on a Japanese documentary. About a year ago, NHK did a feature on the Tokyo University cheer squad where the senior members broke down the new recruits psychologically just like this.
Going viral
Since then, the segment has gone viral on the Japanese web, with the majority recoiling in horror. A minority (my estimate) took the stance that this sort of thing is normal in grown-up society, while others thought this might be the secret to the company’s recent success. (notably, one of the faces in the studio watching the segment was Miki Watanabe, CEO of Watami, an izakaya chain that’s been a similar success story to Ohsho. He said his company does not do that kind of training because that’s not Watami’s “corporate culture”)
One reason the video caught on may be because this is the time when many university students receive job offers after their year-long search for work post-graduation. Most big Japanese companies and many small ones hire groups of new college graduates all at once, with the intention of treating them as lifetime employees. Though Ohsho seems to hire many from the pool of non-college grads, the theme is no doubt resonant at this time.
It’s an enormously important time in a college student’s life, especially in the current bad job environment, because failure to land a decent job can doom one to a lifetime of “non-regular” employment with fewer pay/benefits and less security, or a full-time job at a “black” company with terrible labor practices.
The job market for students who did not finish a four-year university is even worse, but while beggars can’t be choosers, I am sure many would think twice about signing up with Ohsho after seeing this segment.
Ohsho’s response
Perhaps sensing some potential reputation damage, Ohsho has posted a response on its website. But instead of the usual corporate gobbledygook, someone put the time and thought behind an impassioned defense that starts with a challenging question – a career running a restaurant is not a popular choice among today’s youth, so why on earth would a restaurant chain choose to use such a strict training regime?
First and foremost, they explain, Ohsho’s mission is to open Chinese restaurants nationwide that can become deeply entrenched in the culture of each local area. To that end, they do things a little differently from most chains. As any regular Ohsho customer will know (Roy and I are fans), each store has a slightly different menu, and until a few years ago they even allowed some franchise owners to decorate the stores how they wanted.
So to fulfill that mission, they need employees and potential franchise owners that will hone their cooking skills, use their creativity, host events, and otherwise proactively promote their stores as local destinations. None of this is possible unless the employees “find satisfaction and their own reason for existence” in the job.
The thing is, today’s young people have grown up in an era of personal freedom, the letter says. They’ve never been scolded at school or at home. So the first thing Ohsho needs to teach new recruits is that to succeed at Ohsho, acting self-centered in the name of personal freedom just won’t be tolerated. In order to truly shine as an individual, first one must master the basic rules. The point of memorizing the company rules, they say, is to teach what it means to work as a member of society and the importance of rules, consideration, proper etiquette, and teamwork.
Essentially, they argue, Japanese young people today are missing three things: they don’t sweat, they don’t cry, and they don’t understand gratitude. The Ohsho training is intended to fix that, especially the last one. That’s why they do the boot camp.
Osaka has a problem. (Well, OK — it has lots of problems.) But there is one problem out there that is so big it has been called the “Osaka 2011 Problem” — the massive construction of skyscrapers and other major real estate projects across the city. These projects will come online on a rolling basis for years, but 2011 is considered to be the peak year when the market is flooded with too much new real estate. Hence the new buzzword.
Why are new skyscrapers a problem? Osaka’s city economy is a basketcase, effectively two decades behind the times with a tired industrial sector and trading economy that has not evolved into the modern era. It has failed miserably in competing with Tokyo, Yokohama, Nagoya and Fukuoka, all of which have found an important niche in the 21st century global and Asian market. So all this premier real estate in Osaka will be finished, but there will not be enough tenants to provide the demand for this new supply.
Yet I discussed this with a learned friend who knows Japan’s real estate market inside and out. He says that, as they main developers are all the big boys, so they be able to entice key keiretsu companies to take space in their new projects to get a head start on income. There will be a flight to quality, as major companies relocating into new projects will give everyone an opportunity to upgrade, while rent levels will come down (think Dubai!), and owners of old real estate will come under pressure to sell assets.
This is the story of urban development elsewhere. Larger companies have cheaper capital costs and as one area’s development cycle completes they look at another area to buy up and re-develop. Some projects in the pipeline have as their business plan the buy out of seedy businesses (and second-rate businesses) to aggregate land and build something nice. In other words, gentrification! This does create value.
Some of these projects can be highlighted and looked at under the microscope, such as the Kita Umeda Yard — check-out insight on the project from the blog Osaka Insider. This could well become the new hot spot, as Shin Osaka loses tenants to Kita-Umeda. And as Shin-Osaka declines, developers may well buy out land around Shin Osaka and re-develop Shin Osaka area, at the same time that one of the trains is extended from Umeda to Shin Osaka. Once again, the gentrification strategy.
My learned friend also some some further insight — this procession is fair. Japan is similar to Western Europe in that there is a traditional landed class that lives off of rent, but they never reinvest and sad buildings last for years without repairs. The Osaka redevelopment should make the property market more competitive, and those landowners that can’t survive will be forced to sell out.
Will this be good or bad? Only time will tell. But from a macro view, this so-called problem may well be the kick that Osaka needs to re-build a sad economy.
Geos, one of Japan’s major “eikaiwa” English conversation chains, has entered the bankruptcy process (see Let’s Japan or any number of news reports for more details). Some reactions are declaring eikaiwa dead and encouraging teachers to look for employment outside Japan. It does seem like the old eikaiwa business model is not poised for a serious comeback barring a significant improvement in the Japanese economy. That said, eikaiwa as a concept and attractive learning option for Japanese people isn’t going away.
From the looks of it, some eikaiwa bankruptcies are all but inevitable. Revenue is down, and according to Nikkei “the number of language schools in operation last year remained mostly unchanged from 2008, but the number of new students enrolling in the schools plunged 35.7%.” That’s down 35% from post-NOVA levels!
Let’s see some of those numbers in graph form:
And some indicators of our own:
As overall revenues have fallen, sales of teaching materials have risen in importance, now accounting for around 10% of the language school business.
The industry overall now employs more part-time teachers than full-time, but now both categories of teacher are in decline. Not exactly a good sign for financial health or the job security of teachers.
Revenue per student has risen slightly as the average number of classes per student is down, which suggests to me a slightly lower value for the lessons.
Going forward
Paradoxically, this sort of downsizing is exactly what the industry needs, but when schools collapse so suddenly and spectacularly it scares people away and hurts business even more. Nevertheless, I would not be so intensely pessimistic as some of the commenters I have read. The initial success of these schools has created the “eikaiwa paradigm” that will live on, I think, even if all the big chain schools fall to the wayside. Just as small-time piano teachers can make good money anywhere in the world, any halfway decent teacher who can reliably provide value for his/her services can do OK. Maybe not “tens of thousands of western immigrants descend on Japan” kind of OK, but OK nonetheless. Japanese people still want to learn English and are willing to pay for it. They just can’t afford it as much anymore and don’t want to hand their money to crooks.
The problem is that these major players set up large-scale businesses that profited by essentially gouging customers – promising stellar results and pressuring them into long-term contracts only to give sub-standard lessons to people who may not have really been able to benefit from them in the first place. Now, a combination of factors – tighter laws, the bad economy, rise of the Internet as a study tool, people generally getting wise to the con – has come crashing down on Geos.What the numbers don’t show is that the major operators seem to be offering more or less the same product as before – if anything, they are diluting the product with less value and more part-time teachers – and customers just aren’t as interested anymore.
According to Yahoo, Adam “Swamp Donkey” Richards, the cruiserweight boxer, will appear on Japanese pay channel Wowow tonight at 8pm, when they will show highlights from his March 13 attempt to take the WBO cruiserweight title away from current champion Marco Huck in Germany, Huck’s home turf:
エキサイトマッチ～世界プロボクシング
アンドレ・ディレル vs アルツール・アブラハム マルコ・フック vs アダム・リチャーズ アレクサンデル・ポベトキン vs ファビエル・モーラ
[初][HV][Ｗ] エキサイトマッチ～世界プロボクシング #3 激戦の”スーパー・シックス”、ディレルvsアブラハム! ・S・ミドル級12回戦 アンドレ・ディレル vs アルツール・アブラハム ～3月27日/アメリカ・ミシガン州 ・WBO世界クルーザー級タイトルマッチ マルコ・フック vs アダム・リチャーズ ・ヘビー級10回戦 アレクサンデル・ポベトキン vs ファビエル・モーラ ～3月13日/ドイツ
出演
解説:ジョー小泉、浜田剛史 実況:高柳謙一 進行:中島そよか
I won’t ruin the match for anyone planning to watch, but suffice to say Huck is still the champion. The Wowow synopsis of the fight notes that while Richards won several titles as an amateur and boasts a fairly impressive professional career, he has so far not gone up against many powerful fighters.
I am happy someone with my name is having some success, but if he ever wins and gets famous it could complicate my life a little bit. From this video he seems like a pretty down to earth guy who can remember every detail of his fights. Also watch for how much exercise he can do without breaking a sweat (it’s a lot more than me):
Here is an interesting song from singer Kana Uemura called “The Toilet God.”
The video (hosted by her record company) is apparently popular, currently checking in with just under a million views. Her album Pieces of Me has hit #10 on the Oricon charts but has since slipped to 17th place. I think part of the buzz comes from the juxtaposition of the silly sounding title and the somber content.
The song tell the story of the singer’s bittersweet relationship with her grandmother and runs about 10 minutes long. The title comes from the grandmother’s original way to get her to clean the toilets. Basically, there’s a goddess in the toilet who will make you grow up to be a beautiful woman only if you make the toilet spotless.
The story, based on Uemura’s real-life experiences growing up and then leaving Kawanishi, Hyogo Prefecture (incidentally, where I spent a year as an exchange student) is nothing short of heart-breaking: the girl moves in with her grandmother and the two get along until she reaches her rebellious teenage years. They fight and eventually she leaves the house for Tokyo. Two years later, the grandmother falls ill. The singer visits but is soon turned away. The grandmother dies the next day, leaving the singer with no chance to make amends for all the trouble she caused.
This song has a lot of elements that often help spell pop success:
– An attractive singer-songwriter with a guitar
– Tear-jerking lyrics
– Shout-outs to local dialects (she sings in Kansai-ben)
And to that she has added a twist, the off-color song title.
It’s tempting to call this the pop song equivalent of a keitai novel, but I liked it because it while it is heavy on the pathos, it still rings true because the story is so common and familiar. This song doesn’t offer a voyeuristic look at a dysfunctional family so much as a raw reminder of our own private dysfunctions.
I will be traveling over the next few weeks to Austria, Hungary, Italy, Greece and France on a mega-honeymoon with the newly-rechristened Mrs. Jones. Special thanks go out to Roy, the Adamus, Curzon, Younghusband, Peter and his wife, Aceface, Ben, the Gaijin Biker gang, and the many other members of our brilliant cast of characters friends who came to the wedding.
Today’s Asahi evening edition had a great op-ed today by author Tsunehiro Uno (age 32). He argues that with such a wide gap between what most Japanese want out of life and what’s attainable for the majority, it’s high time to start setting more realistic expectations. Here’s a rundown of his points, summarized and embellished upon by yours truly:
A recent government white paper found that a large portion of women in their 20s want to be housewives. Not only that, another survey found that around 40% of unmarried women aged 25-35 want a husband who makes at least Y6 million a year. Sadly for them, only 3.5% of unmarried men in that age bracket actually make that much. For those looking for a different kind of connection, one on one cam sites offer a personalized way to meet people and explore new experiences. Find the perfect one for you now!
This desire for a typical middle-class lifestyle — a single-income household with a salaryman husband with lifetime employment and the wife at home raising kids — seems to hark back to the postwar Showa era (1945-1989) when the economy was booming. However, today Japan’s economic stagnation has made the idyllic nuclear family impossible for many families, with more women needing to work to make ends meet.
Uno relates this revival of Showa values to the conservatism of his generation, in part a reaction against the Koizumi-era economic reforms. Koizumi, in office from 2001-2006, pushed a neoliberal program of deregulation and privatization as a path to lead Japan out of a prolonged economic malaise. During that era, Uno writes, the Japanese people shared a sense that there was no going back, that the stable post-war society that Japan had grown used to had ceased to function properly.
Now, however, attitudes have shifted sharply in favor of trying to revive lifetime employment. Uno doesn’t give examples, but they are everywhere these days – the temp worker tent village in Jan. 2009, postal minister Kamei’s offer of full-time status to all Japan Post part-timers, and so on.
People may be critical of the deregulation that spurred the growth of temp workers, but it’s simply not possible to maintain lifetime regular employment for everyone, and many people in today’s society prefer more flexible work arrangements to the more rigid life of a full-time worker.
Uno worries that people are planning out their lives with the mistaken assumption that the Showa lifestyle is ideal. The real question, however, should be how to live a decent life even under non-regular employment. However, neither the people in general nor our political leaders seem to have the proper mindset.
Where Koizumi went wrong, he argues, is in failing to create a social system for the new era.
His proposal for the current DPJ administration – create a new social contract (or in his words 幸福のパッケージ) that can allow a two-income household of non-regular employees to comfortably raise two or more children. How to do this? First, set a bottom line and create safety net policies to help people stay above it. In exchange, create more flexible employment rules that would be more compatible with people’s diverse lifestyles.
Great, at least this time it’s in English! It’s similar to many other simple catch phrases used by other countries: “Malaysia, truly Asia,” “Seoul’s got Soul,” and so on. The Japanese-language slogan is more of more of a mouthful and literally translates as “Japan, a country where you will encounter endless discovery.” There’s also a new logo with a stylish but classy combo of cherry blossoms and the Japanese Rising Sun.
I like “Endless Discovery” because it has a message that happens to be true. As a foreigner living in Japan most days there’s something new to discover. This message could help put new visitors in the right frame of mind to enjoy themselves. Japan’s not a country like Thailand where you can head straight to the resort and not worry about foreign customs. It’s an adventure in many respects – new food, few English speakers, complicated train system, etc. (and the area outside of Tokyo is even harder to navigate), so why not put a positive face on what Japan’s got to offer?
I’d like to give Maehara and his people some credit for picking a slogan that actually makes sense. It’s comforting to think the people in power might actually understand the outside world a little bit. It’s one big, noticeable difference between the parties.
This will replace the old slogan Yokoso! Japan, announced in 2003 to much confusion by most people who had no idea yokoso means “welcome” in Japanese. Well-known Japan commentator Alex Kerr was especially critical, saying it might as well be “blah blah blah Japan.” It’s been a favorite target of mockery among many in the gaijin community and can currently be seen on taxis, buses, posters, and even transport minister Maehara’s lapel pin. You’ll be missed! The “Visit Japan Campaign 2010” site is still up, so you can soak up some of the goodness before it closes. There’s other questionable language on the site, like “Yokoso Bazar” and “Revalue Nippon.”
Perhaps the best promotion in the campaign was this ad by then-Prime Minister Junichiro Koizumi:
“We will welcome you with a hearty Yokoso and smiiiile.”
Just as a bit of speculation, some of you might remember that the DPJ has relied on American firms for PR (Fleishman-Hillard in 2005 and possibly today), while the LDP and bureaucracy often relied on domestic firms (Prap Japan in 2005, ad giant Dentsu in 2009). Could that have had made a difference?
Well kids, I just came back from the sneak preview of ダーリンは外国人 at Roppongi Hills. My wife is a fan of the first couple of books, and probably ended up on a mailing of some sort along the line, through which we got invited. Apparently they only invited international couples, and interestingly enough the movies subtitles were in Japanese for the English dialog and in English for the Japanese dialogue.
The movie was just about at, or perhaps even a bit worse than, my expectations. I liked the use of splicing in clips of Oguri’s animation, as well as spot interviews with international couples. But… There were more than a few scenes where I was biting my fist a la Bea Arthur from The Golden Girls, and there was only one scene in which I laughed: Tony Laszlo himself makes a well-placed cameo in the movie that was worth a chuckle. But screenplay, casting, pacing, music, etc. was on par with the average Japanese made-for-TV movie.
Inoue Mao looks less like Oguri and more like Asada Mao. Jonathan Scherr looks less like Tony and more like Dustin Diamond (Screech from “Saved By the Bell”). Oguri in the story is not from Kansai, and Tony ends up being from New Jersey. I guess no one cared about these details to begin with.
Following the movie, Inoue, Scherr, the director Ue, Oguri, and Tony came out on stage to say a few words and answer pre-screened questions from the audience. All of them were a bit nervous, but regardless of that I was surprised at how clumsy some of the exchanges were.
e.g.
Q: If you moved to a foreign country and had to take one thing (mono) with you, what would it be?
Tony: In Japan, ‘mono’ can be 者, in which case I would bring Saori. If the ‘mono’ had to be a thing (物), then…I would bring dried seaweed (nori).
MC & Audience: …. (huh?)
Looking at the post above, I notice this quote: “The producer Kazuya Hamana (head of TV content at TBS) spent five years preparing for this film and plans to try and recreate the feel of the original comics for a story that everyone can relate to.”
I don’t think any of the feel was recreated, and it’s kind of sad to think that five years of work went into this movie. I mean, this movie was pret-ty damn bad…
Thanks, Peter. Nice to know I won’t miss anything by skipping this one.
