Another Casualty of JASRAC’s Fun Police

I recently came across this sad story in my referrals:

Live music spots are disappearing one by one in Japan!
2006-11
I am a live Jazz fan, and often go to Jazz clubs in my home town. Recently I visited one of my favorite clubs and was informed that live jazz was to be canceled at the end of the month.

I couldn’t believe it, and asked why this was going to happen. The owner replied “JASRAC (Japanese Society for Rights of Authors, Composers and Publishers, equivalent to ASCAP) ordered retrospective fee payments for the last 10 years of the club’s operation. There’s no way I can afford to pay, so I’ve decided to stop live music”. The JASRAC representative then presented a scrap of newspaper with a story reporting a recent lawsuit and subsequent closure of another Jazz club that had fought, and lost, a similar situation. In the end, however, the owner decided to submit to JASRAC’s demands and pay the fees.

JASRAC also refused to negotiate future licensing costs, and stated that a fixed fee must be charged regardless of how many live performances are held. The club could have one live show each week, or a show every day of the year, and the cost would be the same. JASRAC also refuses to reveal how they calculate fees for each club.

In Japan, NHK(National publicly funded television) fees must be paid by all people that own TVs. However some people manage to avoid paying fees, are unaware of fees, or simply slip though NHK’s administrative cracks. When these people are discovered, NHK usually just asks these people to begin payments from the next month onwards. JASRAC, however, demands payments for the past 10 years.

Does JASRAC truly protect the rights of musicians? I often by CDs from musicians playing at live Jazz clubs. I believe live Jazz promotes CD sales and helps artists succeed.

It’s just appalling that JASRAC can nitpick and police even the most minor activities. The hyper-aggressive protection of intellectual property is not just limited to JASRAC, mind you: Johnny’s Talent Agency (the promoters of SMAP etc) fiercely guard their superstars, a practice that leads to odd rivalries and ridiculous news like Takuya Kimura refusing a major movie award for no apparent reason. Disney is also particularly heavy-handed. I read (on 2ch mind you) that Disney once forced a school to remove an image of Mickey Mouse from their pool that was to be used in an event. How can a culture of openness, ambition and imagination flourish when there’s an environment that often punishes even modest forms of creativity?

Dentsu in the News, Part 1: The Good News

Lots of Dentsu-related stories in the pipeline these days. But first, the good news:

* Dentsu reports revenue exceeding 2 trillion yen, but sees slower growth ahead

From Asahi:

On May 11, Dentsu reported 2.939 trillion yen, or a 6.7% boost, in consolidated revenue for the 2006 fiscal year, the first time the company’s total has ever topped 2 trillion. Revenue in the major media (TV, newspapers, magazines, radio) all slightly dropped, but ticket sales for the 2006 World Cup in Germany, which was undertaken by a Dentsu subsidiary, pushed up the total.

Operating profit (which is mentioned last in the Asahi report) grew at a similar pace of 6.9% (30.6 billion yen or approx $1.7 billion). To compare, OmnicomGroup, the largest Madison Avenue ad company, posted $11.3 billion in revenue and $1.5 billion in operating profit.

Revenue in the 4 mass media, which make up 65% of the company’s non-consolidated profits (or 48% of consolidated revenue, which would mean that the Dentsu parent company’s total of 2.169 trillion make up 73% of total Dentsu group revenue), dipped 0.7% to 1.410 trillion yen.

A surprising note in this profit announcement is that Internet ads are not Dentsu’s biggest growth area, as earlier reports from Dentsu might have seemed to indicate. Internet ad growth of 14.8% (21.5 billion yen) lost out to outdoor ads, such as train ads, grew 19.2% (43 billion yen) with the rise of ads coordinated with web content (infrared bar codes, search keywords). Note, however, that these two areas remain small compared to Dentsu’s traditional businesses. However, Dentsu is predicting huge growth in the Internet sector in general, and sees its share in the Net ad market going from a present 15% to 20% by the end of FY 2009.

But the overall outlook for Dentsu is for slower growth, for reasons which an AP’s report goes into more detail about (unsurprising for an article aimed at investors):

Dentsu, the world’s fifth-biggest advertising company behind Omnicom Group , WPP Group , Interpublic Group and Publicis, said growth might also be held back by a wave of mergers among its client base.

The company, whose rivals in Japan include Hakuhodo DY Holdings Inc. and Asatsu-DK Inc., forecast group operating profit to rise 1.6 percent to 63.8 billion yen ($532.2 million) in the current business year to March 2008 on sales of 2.107 trillion yen, up 0.6 percent.

The profit estimate is in line with the consensus of 64.2 billion yen from a poll of 13 analysts by Reuters Estimates, but the forecast for sales growth is decidedly below the expected growth rate of about 2 percent for the Japanese economy.

The seemingly conservative forecast also comes with Japanese corporate profits at a record high.

“We are always told that our forecasts are conservative, but one factor probably at play here is the fading correlation between corporate profits and the economy on one side and growth in advertising spending,” Dentsu Managing Director Setsuo Kamai told a news conference.

Kamai said the trend could be explained by a handful of factors including booming industry consolidation in Japan, which leads to fewer advertisers, and a move by an increasing number of companies to lower costs by combining their brands.

For 2007/08, Dentsu expects its revenues to get a boost from the IAAF World Championships in Athletics Osaka 2007, elections in Japan and the Tokyo Motor Show, but no event on schedule is likely to match last year’s soccer World Cup in Germany.

Dentsu logged strong revenue gains to the information and technology, food and retail sectors, which offset declines to makers of cosmetics and toiletries, producers of home appliances and electronics, and consumer finance firms.

Speaking of profits, Hakuhodo just posted its first loss (due to lower than expected real estate revenue and dips in auto ads and government PR work) since converting to holding company status in 2003. It posted a 2% loss in revenue (1.884 trillion yen) and a 1% loss in operating profits (24.4 billion yen). Bad news for Hakuhodo, good news for Dentsu.

A new president will be leading Dentsu:

Dentsu to name Takashima president
Kyodo News

Dentsu Inc. is set to appoint Executive Vice President Tatsuyoshi Takashima as president of Japan’s biggest advertising agency, while the current president, Tateo Mataki, will become chairman, company sources said Saturday.

He is expected to accelerate a shift in Dentsu’s business base from newspapers and television to relatively new media such as the Internet by continuing the efforts of Mataki, who aggressively concluded capital and operational tieups with startup companies specializing in Net advertising.

Meanwhile, Dentsu is consolidating some of its various Net ad subsidiaries (in the affiliate advertising section [similar to the Amazon Associates program]) to form a more unified strategy:

Dentsu to Merge, Amalgamate Action Clip
May 10, 2007

Dentsu and Cyber Communications (CCI, a member of the Dentsu Group) announced that they intend to merge Dentsu subsidiary Action Clip and CCI subsidiary Criteria Communications.

CCI will continue to exist but will amalgamate the two companies in a cash tender offer. The ban on cash tender offers to shareholders in the case of an amalgamation merger that absorbs the target company was lifted as of May 1.

Action Clip’s affiliate operations will be united with Criteria’s advertisement distribution network with the goal of consolidating the Dentsu Group’s affiliate business.

Japan’s obsolete songs, part 1 of ?

“My Pager Won’t Ring*” the opening theme from a 1993 TV drama series. Thanks to whoever posted it and thanks in advance to the good folks at TV Tokyo for not suing the crap out of me for using their ultra-dated content.

For a more recent technology-centric piece of pop culture, may I direct you to Atlanta rapper TI’s 2005 hit “What You Know” which prominently features “chirping” the two-way walkie talkie function currently popular in US cell phones. I get the feeling it too will seem dated 14 years from now, though the smoothly-epic synth-heavy production will live on forever (as, I suspect, will jokes about “getting a midget pregnant”).

* This literal translation doesn’t quite convey the loneliness implied by the song title. Perhaps a better interpretation would be “My Pager Won’t Ring (And I Miss You)”

FAKE DISNEYLAND IN CHINA

Amazingly creepy! The pandas are going to haunt my nightmares for sure. Video is in Japanese, but you don’t need to understand to get creeped out with the fake Disney characters.

Unfortunately, Shukan Bunshun reports that the extra attention this Bizarro wonderland has gained is causing the managers of the state-run park to cut back on the flashier piracy.

22.5% of food left uneaten at Japanese wedding parties

That’s a whole course! Maybe for my wedding party I should volunteer 1/5 of my wedding meals to get sent to North Korea.

Other stats from this Shukan Toyo Keizai article:

Average cost of a wedding: more than 3 million yen (US$25,000) in 2006. The cost of weddings has been rising since 2003, when the Japanese economy started turning around. (Source: wedding planning site Zexy.net)

Japan’s Ministry of Agriculture, Forestry, and Fisheries (MAFF) researched how much food is left uneated at wedding parties (披露宴 routinely make up 3/4 of the cost of an entire wedding) by surveying 40 wedding halls nationwide. The figure of 22.5% (19.2% when you exclude drinks) is light-years away from the amount of food left uneaten at home (1.1% according to a 2005 survey) or in restaurants (3.1% as of 2006). And it’s a high percentage even compared to food at regular banquet-style parties (宴会) that offer alcohol, 15.2% of which goes to waste.

Perhaps that has something to do with the sheer amount of food served at wedding parties, which is averages an enormous 2230g — almost four times the average 600g served at cafeterias and restaurants. That means people who simply can’t finish more than what they usually eat in an entire day are wasting an entire meal’s worth of food, or 500g.

Why so much food? The STK conjectures that since people want to give their guests the best possible service, it’s either become a tradition or people are trying to be ostentatious by offering more food than necessary. But as someone planning a wedding party myself, I think the most obvious explanation is that the event halls need to justify charging 10,000 yen per plate plus open bar charges.

Happy retirement, Bob Barker!

The Washington Post is reporting that Bob Barker is stepping down as host of the Price is Right after 35 years. It’s a sad day. That used to be my favorite show as a kid, when I stayed home “sick” from school as often as I could convince my mother. The reporter puts it well:

Just the sound of it feels, somehow nostalgically, like being in bed with the flu. (“Come on down!” roars the announcer, Rich Fields — who replaced the late Rod Roddy in 2003, who replaced Johnny Olson in 1986 — as you beg some 7Up and toast to stay on down.) There is the sound of it starting at 11 a.m., over those gooey-warm CBS airwaves, just when the day is still technically young and yet already somehow wasted. It feels like skipping class again and again, the MWF 10:30 section of Lit 125: The Emerging Self.

And this is so true:

“Think about it this way,” Dobkowitz offers. “The median age in this country is 36 or 37, which means half the country does not know life without Bob Barker. You’re young, you go out in the world and all the new things happen — jobs, marriage. But turn on the set and Bob’s doing the television show, and it’s all okay.”

Though I’m no longer around to catch the show, I had kind of taken Bob Barker’s existence on mid-morning TV for granted. He will be sorely missed!

Japan Times, Foreign Office organ?

In an 1937 article from the journal Far Eastern Survey, I saw The Japan Times described as a “Foreign Office organ.” There is no mention on the Japan Times’ own history timeline they had ever been anything other than an independent media organization, but a quick Google search turned up this article on the very topic from the Foreign Correspondents Club of Japan. The following paragraph summarizes the questions discussed in this article.

Here’s what we need to know about The Japan Times: How close was the paper to official Japan, and to what extent did it serve as a mouthpiece of the Japanese government (in itself neither unusual nor categorically inadvisable at times of international tension)? Closely connected to these questions is a third: Were The Japan Times’ acquisitions in October and December 1940 of Japan’s two best-known English-language newspapers, The Japan Advertiser and The Japan Chronicle, motivated purely by the desire for total media control and the need to speak with one voice through one conduit to the Western world, or were other plans afoot? A fourth, more speculative, question is whether The Japan Times could have served a more temperate purpose during the crisis in U.S.-Japan negotiations in 1940-41.

The author discusses the perennial problem of where to draw the line between journalists’ access to government officials and inappropriate cooperation or agreement with them – an issue recently being discussed with great frequency in the United States following various scandals – and concludes that “the reputation of The Japan Times as an official mouthpiece may well have been earned in its early years, but it was less deserved in early Showa, when most other newspapers not only took their lead from government sources but zealously exceeded official enthusiasm for expansion in East Asia and for the cause of ‘Holy War.’ ” This statement includes the period of time – 1937 – in which the reference I discussed at the beginning of the post was published.

On the other hand, the Japan Times’ acquisition of the two rival English language
newspapers in October and December of 1940 was likely orchestrated by Foreign Minister Matsuoka Yosuke, so as “to have an organ close to the Foreign Office in which their opposition to the Military Party could be expressed.”

However, Matsuoka’s access to the Japan Times, and hence his ability to promulgate pro-diplomacy messages to the foreign media through Japan’s sole surviving English language newspaper was eliminated in July 1941, when “the second Konoe Cabinet resigned in order to form a third Cabinet for the express purpose of jettisoning Matsuoka.” (Matsuoka had been trying to persuade the cabinet to abandon the Soviet-Japanese neutrality agreement and join Germany’s declaration of war against the Soviet Union. This would also have complicated the ongoing negotiations with the United States for the purpose of avoiding war between the two countries, in which Matsuoka was attempting to trade a withdrawal from continental China in exchange for recognition of Manchukuo and a guarantee of safety for trade routes of resources through the South Pacific.) This left publisher Go Satoshi to pen editorials which ended up inflaming relations between Japan and the Allied powers, although it is unclear whether this was at the behest of the subsequent Foreign Ministers or not.

The article concludes that “The Japan Times (until Matsuoka’s fall from grace) made a doomed but valiant effort to set up a rational, internationalist alternative to the bellicose rumblings emanating from the General Staff and the Foreign Ministry,” but also brings attention to the fact that after Matsuoka’s departure the paper’s editorials, written by Go, contributed to the climate of mistrust that led to the breakdown of negotiations, which eventually caused Japan’s attack against Pearl Harbor. While the Japan Times of today (which in my experience has a generally liberal and pro-internationalist slant) should hardly be criticized for the ways in which it was used as a vehicle of propaganda during wartime under an imperialist regime, I imagine that the readers of this blog will be as interested as I was to learn a bit about the history of a newspaper whose articles all of us read with regularity. Now I am curious to know if the Japan Times’ close relations with the Foreign Ministry continued after the war, and how the country’s primary English language news source may have been used by the occupying American authorities and post-occupation government of Japan.

On a tangential note, Matsuoka Yosuke was arrested and indicted as a class-A war criminal by the Tokyo Tribunal, but died of tuberculosis before the verdict was read, without his ever having actually appeared in court. Based on the brief biographies of Matsuoka that I have read, I’m not entirely sure on what grounds he was charged. It may have been related to his orchestration of the alliance with Nazi Germany and Fascist Italy, although Japan was not yet engaged in war against any allied powers by the end of Matsuoka’s term of office. He also advocated war against the Soviet Union, but was ignored and in effect fired for that position. However reprehensible his attempts to promote Japanese-Soviet war may have been, it seems a little bit peculiar to prosecute someone for a policy which was never taken up by the government or military. It also seems possible that his efforts to avoid war between Japan and the US may have been a possible argument in his defense, which due to his premature death was never made. I would be very curious to know exactly what the charges against him were.

Update: I forgot to mention that Matsuoka is also one of the 14 class-A war criminal suspects controversially enshrined in Yasukuni. Apparently Emperor  Hirohito mentioned him by name as one of those who should not have been enshrined, and whose listing caused the Emperor to cease visiting the shrine.

Adamu in Japan – blogging to be spotty, directionless

I’ve finally arrived in Japan to live after spending almost 4 years away, save for some brief visits. My blogging up to now has been a way for me to keep up on Japanese current events from the outside. But now that I’m here and have easy access to TV, ads, products, marketing campaigns, convenience stores, books, etc, I’m going to have to make it about something else. I’m still kind of thinking about that.

But first, some good things about coming to Japan:

  • Cleanliness: I swear, I would be more comfortable sleeping on the Tokyo sidewalks than on the floor of my college dorm room. That’s how clean this place is. Perhaps I’m just surprised at the relative difference with unabashedly filthy and smelly Thailand (a trait which, btw, takes nothing away from its charm).
  • Awesome food: Thai food is amazing, and I miss it to death (and all the real American food that’s available in Bangkok) dearly. Still, Japanese food is fresh, delicious, and healthy. I haven’t felt this clear-headed and energized in months.
  • Speaking the language: My spoken Japanese is very rusty (and was never all that great to begin with), but it is still good enough to do whatever I need to in life, unlike Thailand where I had to wildly gesticulate and scream a mix of English and the few Thai phrases I knew to get anything done at all. That’s another major source of stress lifted.
  • Fast Internet: In Thailand I was suffering with a crappy DSL connection that was slow, required quirky proprietary software. On top of that, the authorities banned YouTube out of the blue 2 weeks ago because of a video defaming the king. The connection I’m using now is a smoooooth hikari fiber line that lets me get the new Sopranos in less than 2 hours.
  • Japanese bookstores: I love Japan’s weekly magazines and manga, and Japan is, obviously, Japanese literature heaven. When I get some time I need to head over to my local library.
  • Lame things about being in Japan:

  • Bad TV: Even though I couldn’t understand it, I knew I hated Thai TV, in particular the comedy shows, that constantly feature slide-whistle punchlines, wah-wah-wah sappy jokes, and Munsters-style fast forward action. Ick. Japan’s TV shows have a bit fewer of the vaudeville trappings, but watching crap like Kazuko Hosoki still leaves me feeling like my IQ is being sucked into the TV. The TV news analysis shows are usually really lame too.
  • Expensive! I need to move closer to Tokyo fast because now just going there costs about 2000 yen. Going out to lunch is easily 3000. How does anyone manage to save money?
  • Cold! It’s been like winter since I came here, which has jarred me after coming from Thailand. It’s going from one extreme to the other: In Thailand I had only spotty A/C in the middle of intense, constant heat, and here there is no central heating when it’s cold.
  • Japanese culture: For some reason I feel forced into things a lot of the time. I realize I can’t come to this country and act exactly as I did in Thailand or Japan, but this isn’t North Korea and I’m not Private Jenkins.
  • All in all, I’m excited to be here and start my married life (filed the papers on Monday) and get back in the game with my career after almost a year of translating at home in a situation my wife calls “house arrest.” I’m not sure what I’ll be blogging about from now on, but expect more translations and my occasional thoughts and pictures.

    Contemporary Art Tokyo to feature Thai Artists (and Adamu, sort of)

    Translated from the museum’s official site (edited as needed):

    The First Exhibit to Offer an Expansive Look at Thailand’s Modern Art History

    mitemithai-644_1_3.JPGFrom April 18-May 20, the Museum of Contemporary Art Tokyo will hold Show Me Thai, an exhibit jointly produced by the Kingdom of Thailand’s Office of Contemporary Arts and Culture, to commemorate the 120th anniversary of Thai-Japanese friendship.

    This is the first attempt to take an expansive look at Thailand’s contemporary art history. The exhibit will take visitors from the country’s early contacts with Japanese culture, which started before World War II and progressed through Japan’s era of high economic growth (1955-1975), to the time of high GDP growth in Thailand (1986-1996), when the Buddhist kingdom absorbed massive amounts of Japanese pop culture, including manga, music, and fashion, all the way to the present day.

    A diverse array of pieces, including paintings, sculptures, mixed media, video, installations, cinema, animation, and music will be displayed throughout the museums’s exhibition space. And that’s not all – the artists themselves will be there to participate in performances and panel discussions.

    Among the 60 artists and groups participating (Links lead to samples, mostly, or at least a picture of the artist):

    Pinaree Sanpitak (painter)
    Rirkrit Tiravanija (installations/mixed media)
    Nobuyoshi Araki (photographer)
    Sutee Kunavichayanont
    Navin Rawanchikul (mixed media, lives in Fukuoka)
    Wisut Ponnimit
    Yasumasa Morimura
    Ichi Ikeda
    Apichatpong Weerasethakul (filmmaker whose filmography includes “Blissfully Yours,” a romance that was showcased in a non-competing section of the 2002 Cannes Film Festival, as well as the more interestingly titled “The Adventure of Iron Pussy”)
    Yoshitomo Nara (pop artist who has done Shonen Knife album art and is the subject of a recent documentary)

    The museum is open from 10AM-6PM, and will be closed on all Mondays save for April 30. The museum is easily accessible by Tokyo Metro, Kiyosumi-Shirakawa (清澄白河) Station on the Hanzaemon and Oedo Lines.

    Disclaimer/self-promotion – I learned of this event because a translation I did about Thai-Japanese contemporary art exchange will be featured in the exhibit’s ‘art catalogue,’ with full ‘translator’ credit! This doesn’t exactly mean a whole lot, but I’m pretty excited to go see this, not least because this is my first time being published but also because I just might get to take in more Thai culture in Tokyo than I did when I lived in Bangkok.

    Living on the cheap in Tokyo

    How to live cheaply in one of the world’s most expensive cities? Well, it really isn’t that expensive unless you want it to be, and I will submit that living a broke life in Tokyo is MUCH better than living a broke life anywhere in America.

    Here are some ideas:

    Lodging

    This is the big kahuna that makes life in Tokyo expensive. If you want a swank apartment in the middle of the city, it might set you back ¥400,000 a month. Fortunately, there are cheaper ways to do things.

    • Best way: seduce someone of your preferred gender who has a nice apartment. If they’re female, they’ll even make you breakfast in the morning! (And if they don’t, find one who will; Japan is a buyer’s market.)
    • Stay with a host family. You get conversation, you probably get meals, and you might even get your laundry done. On the other hand, host families have their drawbacks; you can’t go out partying late at night, and they might turn out to be batshit crazy. (I never had the former problem in high school; I definitely had the latter problem.)
    • Get a place in the middle of nowhere, like a ¥40,000 room in Nishi-nippori located a cool 20-minute bus ride from the Yamanote Line.
    • If you insist on living in the middle of the city, you can ditch your bathroom and live in a 6-mat room 5 minutes away from Shibuya for the same price. Granted, you have to go to a sento to clean yourself up, and your toilet is shared… but still!
    • By the way, Yahoo! Japan Real Estate is an excellent resource for scouting out really cheap places to stay, assuming you know enough Japanese to navigate around. If English is your only language (or if you aren’t staying for a year or so), you might be relegated to the hell that is Sakura House.

    Food

    • There are always noodle products, of course, and those sketchy pasta sauces they sell in foil pouches at Don Quijote. Yum!
    • If you want slightly better food, you can live on a diet of convenience store bentos, gyudon and curry for under ¥2,000 a day. Pretty easy, if not all that healthy.
    • If you’re into eating out, my advice would be to get used to having big lunches. Many of the smaller restaurants around the business districts of Tokyo will sell you a massive lunch prepared with good ingredients for ¥1,000 or less. Then you can make your other calories for the day more or less blank.
    • One of the best money-savers out there—as much as it might pain some of you to consider it—is to avoid booze. “What you say! No drinking in Japan? Heresy!” But it’s true: consider that a beer or chuhai will cost you ¥300 even at a cheap place.

    Transportation

    This one is easy. Ditch the subway and get yourself a bicycle. You might still want to hop on the Metro when it’s raining, but biking around is a great way to see the city, burn some calories and save some money. (I was spending ¥5,000 a month on Metro cards before I got my bike; at ¥10,000 it paid for itself after two nice winter/spring months, although it got pretty unbearable during the summer. If you have a cheap sento near your workplace, go for it! If you work at a sento, double points!) But if you want a convenient yet still an affordable way to reach your destination, it might be worthwhile to research options like a limousine service.