Mechanical Pencils

I have a fantastic mechanical pencil that I got in Japan, which I guard carefully because I don’t know where and when I might be able to get more. Since the label had completely rubbed off I had no idea who the maker or what the model number is so I was just looking around on the web to find out. It turned out to be a discontinued Staedtler 925.
Steadtler 925
Although a German manufacturer, I haven’t been able to find a single English language store online that seems to sell this model. Although discontinued, it has been replaced by a slightly different model of the same number.
New Staedtler 925
Hopefully I can find an art/drafting specialty store that carries these, because I haven’t been able to find any other mechanical pencil with the same kind of comfortable, solid feel and reliable mechanical performance of this one. Most mechanical pencils, even those from a reputable manufacturer like Pentel, tend to be made of plastic, which wears down to slipperiness and lacks the proper heft to really write comfortable.

Now, pencils may seem like an awfully mundane topic in a world of wireless internet, robot dogs, and digital cameras, but it is also worth appreciating the hundreds of years of evolution it takes to perfect such a commonplace device. My borderline obsessive quest for a particular pencil illustrates well how important little variations of material or ergonomics can be in such a daily use device. Realizing how rare it is to find even a mechanical pencil that truly lives up to one’s expectations of quality makes even more remarkable the intricate high tech devices all around us.

Anyone with even the slightest interest in engineering, ergonomics or the history of technology is strongly encourage to read Henry Petroski’s book The Pencil: A History of Design and Circumstance, a book which is far more interesting than you would expect.

From Abeno Seimei and Onmyodo

The Yomiuri newspaper has a short article on an interesting religious ceremony conducted at the ancient Kamigamo Shinto shrine in Kyoto. I’ve translated it below and due to the obscurity of the material included some additional notes.

From Abeno Seimei and Onmyodo

At the Kurabeuma horse race which has been conducted at the Kamigamo Shrine in Kyoto for 910 years, the Norijiri(riders) conduct certain rituals before the race. The ceremonies of self-harai(ritual Shinto purification) by onymyokuji(yin-yang divination by lots) and harai by onmyo-daiyuudai (some kind of obscure onmyodo ceremony) are known as the norikiji houhei [houhei are the hemp rope and folded paper decorations seen at Shinto shrines). In the houhei ceremony the norijiri waves the houhei and offers a prayer to the kami (gods) by taking a special step. Reseachers on religious ceremony have concluded that these rituals include rites that can be traced back to onmyodo harai..

For those who can read Japanese, more information on the Kurabeuma is avaliable here.

Norijiri
Kurabeuma
Onmyodo: Literally ‘the way of yin and yang.’ An ancient form of Japanese magical practice, combining imported Taoist philosophy and practices (such as ying and yang and the 5 elements) with native Japanese Shinto beliefs and rituals. Practicioners of onmyodo were known as Onmyoji.

Abeno Seimei: The most famous of all Onmyoji. There is a popular novel and manga series by the author Baku Yumemakura, which has not been translated into English. There is however a film version and sequel, which you can get as a package here. The budget may not approach Lord of the Rings, but they are recommended for anyone who wants to see what Heian era Japan actually looked like.

Kami-gamo Shrine: One of the oldest shrines in Kyoto, it actually existed long before the city was built. Named after the Kamo clan that ruled the area before the Imperial family moved the capital, Kami-gamo (upper Kamo) and Shimo-gamo (lower Kamo) shrines are a pair. The Kamo river which flows past downtown Kyoto also takes its name from this source. In Heian times, the Abe and Kamo family’s were the two preeminent onmyoji families.