This is a review (with spoilers) of Steven Seagal’s latest crapfest, Into the Sun, but first some background:
Steven Seagal was 17 when he first made his way to Japan. By the time he left at age 32, he was the head of a major Aikido dojo in Osaka and spoke fluent Japanese. He then returned to his native California to become personal trainer to the stars.
Eventually he met Hollywood mogul Michael Ovitz and the rest was history: crappy action movie after crappy action movie. Yet something always puzzled me about Seagal’s career: he rarely if ever brings up Japan and hasn’t really attempted to become a gaijin tarento despite his fluence in Japanese and obvious desire for stardom.
There are a few possible explanations for such reluctance. In interviews, Seagal comes off as extremely humble (even though he could beat your ass just by thinking about it), a trait he likely learned in Japan. When asked why he left Japan, Seagal betrays his tough exterior and claims to be shy of the spotlight:
When I was in Japan, people tried to deify me, and the reason I left there was that deification is truly a death trap. That is a reason why I kept my spiritual practice to myself in America. I don’t think deification has been one of my biggest problems in life because I am lucky enough to have understood a long time ago what adoration and power really are about. I think the great obstacle was just a lack of understanding of the way.
My translation: “There’s no money to be made in Japanese showbusiness.” (See this good article for more on the Japanese entertainment industry)
Anyway, Seagal’s first wife was Japanese, and depending on how bad their divorce was I would understand if he didn’t feel like immersing himself in Japanese stuff for a while.
The actor seems to be coming out of his shell, finally, with his new movie Into the Sun. Let me start out by saying some nice things about the film. It was well-shot, there are lots of good-looking actresses dressed impeccably, and Japan is filmed very realistically and without the usual stereotypes. Seagal wrote the screenplay and obviously wanted to make sure his beloved Japan got treated well. The plot is ripped from the headlines as well, dealing with such up to the minute subjects as Japan’s ultra-conservative, anti-foreigner governor Ishihara Shintaro and the Chinese mafia’s expansion into Japanese territory.
The plot: Seagal stars as a retired US government agent (CIA? Special Forces? We are never told) who grew up in Japan and has decided to live out his golden years as a part time sword salesman and a full time badass. However the yakuza/triad-related murder of the anti-foreigner governor of Tokyo forces the CIA to bring him out of retirement in hopes that they can crack the case. Why is the CIA investigating the murder of a Japanese politician? “They could be terrorists.” Welcome to post-9/11 America, where non-sequiturs like that are the major themes of presidential addresses.
However, what the CIA (and the producers for that matter) didn’t bet on when they put Seagal on the case is that he is a complete fuck-up. Continue reading Review: Into the Sun (SPOILER ALERT)