Via Roger Ebert, here is Filipino reviewer Michael Mirasol’s take on what’s so great about Miyazaki’s Nausicaa of the Valley of the Wind:
My favorite part (emphasis added):
The film is considered to be the first of Miyazaki’s works to showcase his strong environmental inclinations. In every film since he has made his case for man to grow closer to nature as a return to the olden days. He does so with positive reinforcement, hardly ever resorting to demonizing, moralizing, or sermonizing. Here, the toxic jungle isn’t so much an inhospitable realm as it is a fearsome marvel of nature. It’s huge arthropod denizens never come off as oozing grotesques, but wondrous (though scary) creatures. The film’s largest creations, the ohmus, are wholly original, and are almost proof that the eyes are the window to the soul.
Miyazaki’s refusal to narrow down conflict to two or even three sides is refreshing, and quite admirable considering its target audience. The film’s story does concern good versus evil, but they aren’t manifested in simplistic ways. Each populace has its own motivations. Each conflict has its reason. Wars exist among man and against nature. Several stakes exist. Even death is hardly out of bounds. For much of the film, there is no one problem/solution. But despite this moral complexity for an animated film, it all fits Miyazaki’s big picture, and in the end we see it.
The link has a transcript, so it might be easier to read that instead.
I think it’s a testament to Miyazaki’s subtle storytelling power (or maybe just my own lack of insight) that this point never explicitly dawned on me after watching the movie. It’s just a natural part of the landscape. And it’s surprisingly rare for movies to take this approach, though it seems to be a major feature of Miyazaki films.
At the risk of overgeneralizing, I sense a broader point here. One of the refreshing things about living in Japan is that people seem much less dogmatic than in the US. That is, issues are seldom as black and white as they seem in the States, and there seems to be less pressure to adopt the “correct” set of opinions based on political leanings. Could this have something to do with a generation raised on Miyazaki’s pluralistic stories as opposed to Americans growing up with Disney tales of good and evil?
Hannou-shi in Saitama Prefecture is located along the Seibu Ikebukuro line outside Tokyo. Closer to outlying Chichibu than urban Tokyo, the town’s look and feel are like a scene out of the recent Oscar-winning film Departures (which I highly recommend!). Mrs. Adamu and I decided to hike there after finding the town randomly on a web search. It was an extremely convenient trip – after an hour and a half train ride it was just a 10 minute walk to reach the trail. We followed this route on the Hiking Map website.
Anyway, here is what we saw!
This is a monument to local deaths from industrial accidents. Not sure why they died or when.
Going up Tenranzan mountain we came across these oddly shaped Buddhas. The fifth Tokugawa shogun apparently called a monk from a temple near this mountain to heal him with chanting, and it worked. The statues are somehow related to this. Continue reading Hiking in Hannou-shi, Saitama→
Shinto Shrines (Jinja:神社 or sometimes Jingu:神宮 in Japanese) tend to be full of wooden prayer tablets (ema:絵馬), which can generally be bought for a few hundred yen, allowing the patron to write a prayer to the kami (神god, spirit) of that particular shrine, hang it on the ema rack, and hope for the best. Although some shrines are known for having specialties, such as education (specifically, passing exams), romance, health, etc. most shrines tend to have a pretty repetitive mixture of prayers based on these commonplace themes. There are exceptions though, with the best I have run across being Kyoto’s Yasui Engiri Jinja (安井の縁切り神社, official name is Yasui Konpiragu:安井金比羅宮).
While you may find an occasional prayer for good grades or such by someone who doesn’t quite realize where they are, the majority of ema at Engiri Jinja, appropriately enough, contain prayers related to the theme of engiri, literally meaning “cutting of bonds”-which is commonly used today in reference to the ending of relationships, especially romantic ones. The first part of the word, en (縁) has a few different meanings, including “edge” or “porch-like area in old Japanese buildings”, but most importantly the Buddhist concept of pratyaya which I have not read up on but has something to do with causation, and by extension is taken in reference to such concepts as “fate”, “destiny”, “familial bond”, or “relationship”. The second part, giri or kiri (切り) simply means to cut or sever. This concept of severing “en” originally meant something more along the lines of cutting away the threads of negative destiny to relieve one’s bad luck, but today has come to refer primarily to the more conceptually simple act of severing personal relationships. Continue reading Kyoto’s 縁切り神社 (The Shrine of Cutting Bonds)→
Here is the image that will be in my nightmares from now on:
If you think you can toss your waste in the Minuma Rice Fields nature preserve, think again – the red torii are watching you. Judging you.
A citizens’ group in Saitama prefecture has set up dozens of these unsettling warnings to try and stop litterers from ruining their greenery and historical farmland. A member of the group commented that they would prefer not to set these things up since they understand the negative effect on the scenery, but the move was taken out of frustration after signs and cameras didn’t work. The group claims it has been effective in reducing the amount of trash. I mean, what’s worse – hellish, gazing torii or mountains of construction waste in one of Japan’s precious nature preserves?
Torii (often translated as “traditional Japanese gates”) are traditionally placed at the entrance to Shinto shrines and symbolize that you are venturing into sacred space. In recent years, the practice of using torii (or mock torii with distorted proportions) to ward off potential litterers has grown as word of mouth has spread with the help of positive TV coverage. The added eye was an original innovation of the Saitama group. According to Wikipedia, this custom is predated by the use of tiny torii to keep public urinators in check.