Back in March, while I was traveling, Adam wrote a post about Union Extasy, a two-man union of former workers at Kyoto University who decided to protest the limited term contract system after it forced them out of their staff jobs. While their most visible form of protest was the construction of a tent squat underneath the landmark camphor tree in front of the famous Kyoto University clock tower (a location which is the basis for the university’s logo and the preferred location for graduation photos and the like), they also engaged in the more traditional labor complaint route of filing a formal grievance, conducting formal union/management negotiations (団交), and eventually filing a lawsuit alleging the illegality of the mandatory limited-term contract system.

While the Union Extasy squat was inspired by the “temp worker village” set up in Tokyo’s Hibiya park during the 2008-2009 new years season, unlike that particular stunt it never actually ended. Although they had originally expected it to only last for a couple of weeks before shaming university management into doing something, when they realized that things were going to take a long, long time to resolve, instead of taking down the tent they instead expanded it, adding a public area with seating that was labeled the “Kubi Kubi Cafe.”Kubi is the Japanese word for the head or neck, and has also become a synonym for “firing” or “sacking”, as beheading is the Japanese metaphor of choice for such a practice.

The university was naturally displeased with the ongoing protest, particularly in such a prominent and symbolic location, and filed a lawsuit in May or so (the date escapes me at the moment) against Union Extasy, ordering them to vacate the premises. Why exactly they had or chose to actually file a lawsuit escapes me since I would have assumed that they could just ask the police to remove trespassers without any special legal maneuvering, but I presume there is some legal reason that they took such a course of action. Aside from the existence of the lawsuit itself, there were two things that struck me as rather odd about it. First, that the lawsuit was not filed against the two men (Ogawa and Inoue) but against the Union Extasy organization itself. The second odd point, and this one if very odd, is that they were not seeking an order for the union to vacate the campus completely, but only a specified zone including the area immediately in front of the clock tower. The university was actually so cautious about acting without a court order that they did not even disconnect the power cable siphoning electricity from the clock tower building (which kept the lights and vintage iMac running at night, network connectivity naturally courtesy of the campus Wifi). Inoue let me flip through a folder of documents that had been filed in the case, and sure enough there was a map of the campus with a rectangle drawn around the very specific area. Amusingly, among the supporting evidence was a land assayer’s appraisal of the land value of the entire campus, as if the market value of the national university’s grounds-which I expect is legally impossible to sell in any event-was somehow relevant to the matter at hand.

After receiving a court order to vacate the area, they complied with it-by moving about 10 meters over to another patch of lawn, just far enough away from the camphor tree and clock tower so as to allow an unobstructed view of the landmarks.

I have spent little time speaking with the involved parties since before I went home for the summer and had not been following the progress of their protests or court case, except of course to notice that the protest squat had never ended, but I just got word that the initial verdict of their lawsuit is due out tomorrow, presumably with a party to follow. I will be there tomorrow afternoon after lunch to see how things turn out and will report on it after, but in preparation, here is a gallery of photos I’ve taken at the Kubikubi Cafe.

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Hannou-shi in Saitama Prefecture is located along the Seibu Ikebukuro line outside Tokyo. Closer to outlying Chichibu than urban Tokyo, the town’s look and feel are like a scene out of the recent Oscar-winning film Departures (which I highly recommend!). Mrs. Adamu and I decided to hike there after finding the town randomly on a web search. It was an extremely convenient trip – after an hour and a half train ride it was just a 10 minute walk to reach the trail. We followed this route on the Hiking Map website.

Anyway, here is what we saw!

This is a monument to local deaths from industrial accidents. Not sure why they died or when.

Going up Tenranzan mountain we came across these oddly shaped Buddhas. The fifth Tokugawa shogun apparently called a monk from a temple near this mountain to heal him with chanting, and it worked. The statues are somehow related to this.
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Laka Biwa at Hamaotsu, Shiga Prefecture, Japan.

October 11, 2009. Canon 50D w/ Tokina 11-16 lens. 10 second exposure.

As usual, click to enlarge.

Just to break things up between the two very intense posts on the intricacies of international divorce proceedings and an even more grim post that I’m in the middle of, here are some neat photos of a dragonfly I took the other week when I was in Tokyo. Dragonflies are gorgeous little creatures, and I’d never gotten a very good shot of a living one before, but this one was perched on a wire fence at arm’s length, and just flew back and forth between two nearby spots, instead of escaping completely. Sometimes it’s nice to take a break from street photography and work with a cooperative model.

September 26, 2009. Canon 50D w/ 50mm 1.8F lens.

Tokyo, Japan. (3 photos above.)

By contrast, last month I got the following shot of a deceased dragonfly laid out nicely on the sidewalk in my home town. Definitely a very attractive specimen, but also very much lacking in vitality.

August 31, 2009. Canon 50D w/ 17-85 EF-S lens.

Montclair, New Jersey. USA.

(Click on any image for larger version.)

Almost as soon as I got back to my house in Kyoto, I slipped down the stairs and bruised the fuck out my left butt-cheek, which currently displays a prominent horizontal  black-and-blue line. This was not an auspicious start. The next day, when I stopped by a bicycle shop to get some air in my tires, I accidentally jerked my iPhone out of my pocket via the headphone cable, upon which it plummeted in a dead drop directly into the spikey concrete underfoot, shattering the screen like a cobweb. After a moment of horror, I went directly to the Softbank shop, where they swapped it for a fresh one at a very unpleasant cost of ￥22,800, mollified only very, very marginally by the fact that it only took about ten minutes, and that iTunes does a good job of backing up all of the data on my PC.

Yesterday afternoon, I joined my friend Kate on an expedition to Fushimi Ward, in southern Kyoto City, to recover two bicycles of hers that had been impounded the previous day when she and a friend parked illegally while having dinner downtown. (See Adam’s post on bicycle collection.) I brought my camera along, hoping to take some photos of the lot, but as soon as I arrived I pulled out my camera from my bag and saw that the lens had been broken entirely in half! Luckily I was only using my Canon 50mm 1.8F, the cheapest SLR lens currently (if not ever) made, which retails for under $100, so the loss was relatively minor, and I do have several other lenses I can use, but following on the heals of the iPhone disaster I was still very, very pissed.

Upon returning home I pondered whether this would be a good chance to upgrade to the 1.4F version, which allows for even more dramatic depth of field, has a superior focusing mechanism, and also a superior level of build quality that does not lend itself to breaking in twain, but decided that at this time I don’t have another $300 to blow on top of the replacement cost, and just ordered a replacement of the broken model from Amazon Japan for ￥8,800. While I had first thought of it as a pure loss, this morning an idea occurred to me.

I had read in the past that in older, fully manual, camera systems it used to be common to mount a second lens backwards onto the front of the lens being mounted in the ordinary fashion, as a makeshift macro lens. A macro lens is a type of lens that is specially built to allow for extremely closeup focusing, enabling the photographer to create dramatic closeup photographs which show extreme detail, almost like a weak but highly portable microscope. You have probably seen many examples in nature photography.

Anyway, I decided to see how it would work with my broken lens, so I mounted the 17-85 EF-S lens on my camera, held the front part of the broken lens (right hand side piece in the above photo) up to the mounted lens, with the previously outer-facing side of the lens facing towards the camera body, and then checked to see what I could do with manual focus. Well, the first shot (of my knee hair) actually looked pretty cool.

Next I tried the one yen coin and dirty lens cloth sitting on my desk, and then took comparison shots using the 17-85 lens by itself, to contrast the level of magnification provided by the conventional lens and the DIY macro. Note that none of these photos are cropped, magnified, or adjusted in any way.

As you can see, the DIY macro provides significant magnification when compared with the standard lens, over 100% larger, as well as a quirky DIY fisheye effect reminiscent of toy cameras like the Holga. While I might not have ever thought to destroy my lens for such a use, it may actually be worth the cost to play around with it in this way. While these photos were taken in a very makeshift way, by holding everything in place using both hands, both knees, and a funny crouch in my chair, the next step will be to purchase a lens cap for the 17-85 lens, cut a hole out in the middle, and construct a DIY mount that allows me to safely walk around with the makeshift macro. I may also experiment with removing the lens from its plastic enclosure and seeing how it performs when held closer to the primary lens. I’ve wanted a macro lens for a long time, and while this is hardly the way I would normally have considered going about acquiring one, it should be a lot of fun to play with.

On Tuesday, I took a long bike trip from my home in Ayase to Kasai Rinkai Park in Edogawa-ku. While I recover (going long distances on a mamachari can be tiring), I will post some photo highlights (you can see the whole album here).

First up we have this guy fishing on the tetrapods. Not sure what he is trying to catch, but maybe these tetrapods in the middle of the river give him a strategic position away from other fishermen.

This photo was taken from the Kasaibashi bridge.

Last night was the Gozan Okuribi (五山送り火) in Kyoto, the culmination of the O-bon Japanese festival of the dead, in which giant symbols of fire are ignited on the mountains surrounding the city to help spirits find their way. Watching the fire ignite at 8pm (as with many festivals in Japan, often while drinking) is an ancient tradition in Kyoto, with modern hotels even holding special events on their upper floors. While I was feeling too lazy to actually go out and find a spot where I could see multiple daimonji, as the giant characters are called, go up in flames, the dai character on the east mountains is visible from my house, so I tried to get some photos of it.

All photos taken with Canon 50D. The first photo used the Canon 50mm/1.8f lens and the others used the Canon 100-300 4.5-5.6, a poor quality but extremely cheap telephoto lens. The photos could have been better, and I was reminded that I should pick up a tripod some time for such situations, but the low light capabilities of my new camera continue to impress, and there were a few respectable shots. In the fourth one, notice that you can actually see people hanging around the bonfires.

50 1.8F lens @ 3200ISO, 2.5f, 1/60 sec

100-300mm lens @ 3200ISO, 110mm, f4.5, 1/25 sec

100-300mm lens @ 1600ISO, 300mm, f5.6, 1/13 sec

100-300mm lens @ 3200ISO, 300mm, f5.6, 1/100 sec

Spotted during a recent trip to the IKEA in Shinmisato, Saitama: