While the financial turmoil has largely outcrowded domestic political news today, the reaction to Taro Aso’s speech to open the Diet session was one of pure, ecstatic excitement among some media outlets (except for the killjoys at the Asahi of course). Just to give you a taste of the ebullience, let me quote the Nikkei:

Let’s hear the Ozawa’s response to Aso’s unconventional speech

Prime Minister Taro Aso gave his first policy speech at a joint session of the Diet. The speech was unconventional—not only did he harshly criticize the DPJ’s actions in the Diet, he questioned the DPJ on issues such as the passage of the fiscal 2008 supplemental budget. The speech took the form of a declaration of war against the DPJ and gave the strong impression that the decisive battle of the next Lower House elecion is near.

It was almost exactly one year ago that former PM Fukuda gave his own first policy speech, in which he took a more relaxed stance as he called for dialogue with the opposition parties to deal with a Diet in which separate parties control each chamber. .Aso’s speech was a shart contrast, and we look forward to hearing DPJ President Ichiro Ozawa’s “response.”

The PM flatly stated that the DPJ’s handling of the last ordinary Diet session “had a consistent attitude of putting politics first and the people’s lives second or third.” He then went further, noting that the DPJ should put forth rules for forming consensus and questioning, “Is the DPJ ready to do that?”

... For the PM himself to use his policy speech to question the opposition parties’ handling of Diet affairs is extremely uncommon.

...

PM speeches such as the opening policy speech typically take care to mention all the policy initiatives of the various ministries. But Aso eschewed this in favor of a fresher Aso-style address. His determination to take the mantle of administration was clear.

They go on to moan about a lack of specifics and hoped to see them in his party’s election manifesto. They had not a word to say about how his speech was almost totally inappropriate—the point of opening the Diet session like that is so the government can explain itself, not the opposition parties (as the Asahi notes, the tactic may be to try and dissolve the lower house using DPJ intrasigence as an excuse)..

But they have a point.  I watched the speech, and when you can hear him over the jeers of the opposition party Aso actually sounds like a human being. The mere fact that he spoke as if there was some life left in him was what made it truly unconventional and no doubt got the media’s attention. It might not save him come election time, but Aso should be proud that he gave one of the best speeches in recent Diet history.

I just moved this past Sunday from a crummy and tiny, but cheap and decently located apartment into a less convenient but far, far bigger and nicer actual house. NaturallyＩwanted Internet access ASAP so I placed an order for DSL the following day. Japan is well known for excellent Internet service, particularly for low priced and extremely fast (as in 100mbps) fiberoptic service, but fiber is only available for an apartment if the building has first been wired. Therefore, like the first time I lived in an apartment in Japan (2006-7) DSL was my only option.

Setup of DSL takes almost exactly one month. First you place the order, then a couple of weeks later the modem is delivered by parcel, and then a week or two after that the installation guy comes from NTT to check your line and flip on the service. If, as in most apartments, there is already an NTT phone line, this is really all they do-and yet it still takes an entire month for someone to come and do it-and this is not due to a particular backlog, but because of a set four-week schedule.

Now that I’m in a house I can get fiber, which is way, way faster than DSL, for the same basic price, and includes a deal with 5 months free and some cash back in a few more months. I put in the order on the 20th, 10 days ago, and was given an installation appointment of October 3, or about two weeks from the date of order. Today the installer guys came by to do the outdoors portion of the work.

So, why is it that installation of a fiber optic line to a house can be accomplished two weeks from the date of order, while DSL takes four weeks, despite the fact that the fiber installation is multiple orders of magnitude more expensive and time consuming?

BBC reporter Chris Hogg has a great first person account of what it was actually like to interview PM Fukuda.

The reason, I am told, is that here the politicians do not actually matter. The country is run by the bureaucrats – the middle managers.

Scripted interview

I was at first a little sceptical of this claim, until I went to the prime minister’s office to interview the previous incumbent, Yasuo Fukuda.

The problem with these kind of encounters is that Japanese civil servants are always terrified that their man might put a foot wrong. They try to leave nothing to chance.

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The web journal Japan Focus just published a translation of one of Mizuki Shigeru’s short manga pieces, entitled “War and Japan“, with a brief introduction to the man and his work written by Matthew Penney. One of the most famous and important manga authors in Japan, Mizuki Shigeru remains surprisingly obscure abroad, even among ardent manga fans. English translations of his most popular work may exist, but I have never even seen any. As Penney’s profile of Mizuki Shigeru (who, incidentally, is still alive at the age of 86-over 60 years since losing his arm to an explosion on a south Pacific island in WW2) makes a point of saying, “Mizuki, who unlike most prominent revisionists actually experienced the horrors of war firsthand, sees no contradiction between a love for Japan and its traditions, and a willingness to look honestly at the nation’s war history.”

Mizuki is in fact best known for his work involving Japanese folk spirits (or faeries or hobgoblins or monsters- the Japanese term youkai is a bit hard to translate directly), which despite having a generally comic tone do also occasionally deal with the horrors of war, and also received much acclaim for his truly excellent 8 volume Showa-shi (History of the Showa Period), in which he uses pages of pure historical explanation (all in manga form, of course) to frame the primary narative of his own life throughout the entire Showa period, which began around the time of his birth and ended as he was approaching pensioner age. Although covering the entire 62 years of the Showa period, Showa-shi focuses most heavily on his childhood, when he developed his lifelong fascination with youkai and folktales, and on the WW2 period, when he was the sole survivor of a bombing attack in the South Pacific island of Rabaul, lost his arm, and after the war’s end very nearly stayed behind in the native village that had nursed him back to health.

Showa-shi may be considered the capstone of Mizuki’s career. It is not his last work, but does form a synthesis of themes from throughout his entire career. Although it is his youkai manga that he is mainly known for, he had actually spent a chunk of his early career writing WW2 comics for the rental manga market, which at that time was a market publishing original material.

As it so happens, just last week I picked up one volume of a newly published series which reprints Mizuki Shigeru’s war stories for, I believe, the first time. Japanese books can have maddeningly scant publication history, however, so in fact the copyright page says only that this volume was first published in 2008, without specifying in detail the publication history, or even clearly labelling the original year of publication! Despite this annoying flaw, the book is great stuff. Labelled “comics for thinking about war and peace”, this particular volume is his stories of the air war. Much of the art bears little resemblance to Mizuki’s trademark style, instead opting for a sketchy grim style, particularly for the chaotic air combat scenes.

I haven’t yet had a chance to do more then flip through, although i did just read the first story -”Cockroach”, in which a Zero pilot named Yamamoto is shot down, captured by the Allies, kills a guard almost accidentally and then escapes only to discover upon his return that Japan had surrendered. He is arrested as a war criminal, without really understanding why, escapes from the jail in Japan, and then is finally executed-the last to be executed as a war criminal by the Allied military. In the final panel, as his weeping mother is handed a wooden box containing his ashes, she cries “my son’s entire life was just like that of a cockroach running about and hopelessly trying to escape.” Although the story is clearly anti-war, the ambivalence towards the war crime trials and criticism of winner’s justice presents a viewpoint difficult to sum up in the simplistic left/right paradigm that is all too often employed when discussing Japanese views of World War II.

I have finally uploaded a photo gallery to accompany the article I posted on my visit to the LoSheng leper colony in Taipei. It has been appended to the original post, but I’ll embed here as well. I recommend viewing them in fullscreen mode, and titles may optionally be turned on.

I would love to get a look at this exhibit. I hope it’s still going whenever I get out to Tokyo again. (Probably some time in October.)

Yesterday afternoon I happened to glance out my window during a pause in the rain and happened to spot possibly the best rainbow I have ever seen. Luckily, my camera was at hand.

I’m finally moving out of this crummy little apartment next week into a nice house which I just rented. As much as I’m looking forward to it, I will miss the view.

The Taipei Times reported today that Taiwanese film director Wei Te-sheng (魏德勝) is currently attempting to make a film about the famous Wushe Incident of 1930, in which the aboriginal people of Wushe village rose up in armed rebellion against the Japanese occupiers, killing well over 100 Japanese (and injuring many more) before themselves being slaughtered in retaliation. What I found particularly interesting about the article, aside from the fact that I would very much like to see the film if it is ever made, is that the inhabitants of Wushe are described throughout as “Seediq“.

The Sedeq are an Aboriginal tribe that live mostly in Nantou and Hualien counties.

The film title, Seediq Bale, means “the real person” in their language.

The movie Seediq Bale tells the story of Sedeq warrior Mona Rudao who led a large-scale uprising against the Japanese in present-day Wushe (霧社) in Nantou County.

On the morning of Oct. 27, 1930, Mona led a group of more than 300 Sedeq and launched a surprise attack as the Japanese gathered to participate in a local sports event, killing 125 and wounding 215.

The Sedeq then cut the telephone lines and occupied Wushe for three days, before retreating to their strongholds deep in the mountains.

The Japanese colonial government cracked down on the Sedeq, using more than 2,000 military and police officers, and even used poisonous gas banned by international law.

After being under siege for months, Mona, along with about 300 other Sedeq warriors, killed himself.

The Seediq are one of the smallest, if not the smallest, officially recognized distinct tribe of aboriginal peoples in Taiwan, and before receiving government recognition in April of this year had been considered to be a sub-grouping of the much larger Atayal tribe. During my trip to Taiwan last month, I spent about a week traveling with a classmate at Kyoto University named Yayuc Panay, a member of the Seediq tribe who was back in Taiwan visiting family and doing some field research for a paper she is writing. In between visiting two different aboriginal villages, we actually stopped briefly in Wushe for her to transfer her legal residence (戶口) from her hometown of Puli, where her family no longer lives, to her sister’s house in another part of Nantou County. While she was in the office, I wandered around the tiny area comprising Wushe’s “downtown” and took some photos.

Despite being known almost exclusively for the Seediq uprising of 1930, Wushe is today a small village primarily inhabited by Taiwanese of Han Chinese origin, who settled there due to its convenient location as a trading post for the various agricultural goods produced in the mountains. As you can see in the photos, it looks very much like the main street of other rural Taiwanese communities.

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