Three Years of Coney Island Mermaid Parade Photos

Tomorrow (June 21, Saturday) is the 32nd Coney Island Mermaid Parade. The Mermaid Parade, a moderately venerable tradition dating back to 1983, describes itself asthe largest art parade in the nation”, and celebrates the old time beachfront, boardwalk, carnival sideshow culture of the neighborhood.

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This will be my fourth consecutive Mermaid Parade, but I grew up being taken often to Coney Island in the summer by my grandparents, who lived nearby, off the Avenue U subway stop, to visit the beach, Astroland Park, and the New York Aquarium. Coney Island was probably nearing the nadir of popularity then. Homeless men squatted under the boardwalk, lighting fires to keep warm that would often get out of control and burn large out sections of the boardwalk above. I vividly remember gaping, charred holes marked off with yellow warning tape. Adults warned not to wander unsupervised far past the boardwalk into the surrounding non-amusement park neighborhood, which was considered particularly dangerous.
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Many of the once-proud amusement parks of Coney Island had already closed when I used to go as a kid, with Astroland then the main survivor. Even that eventually closed, in 2008, leaving the venerable Cyclone—the famous wooden roller coaster that opened in 1927—and the primary location of Nathan’s Famous Hot Dogs among the last major traditional attractionsin the area. Of course, other than the beach itself. (For readers who expect everything posted on this blog to have a Japan connection, the July 4 Nathan’s Hot Dog Eating Contest is where Japan’s greatest athlete first rose to fame.)

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Throughout the Bloomberg administration (2002 - 2013) there were continual attempts to redevelop the area, usually as a massive unitary complex with a large indoor shopping mall feel that would have been utterly at odds with the history and style of the neighborhood, but which would have provided better facilities for the blandly tasteful year-round activities that clueless developers and mayoral officials thought were more in demand.

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These potential deals all fell apart after the real estate bubble burst, paving the way for today’s more natural revitalization, which has seen new amusement park rides for the first time in decades, including a new Luna Park, named after a long-defunct Coney Island amusement park and built on the former site of Astroland, and even a major new steel roller coaster, the Thunderbolt, itself named after a long-gone 1925-built wooden coaster, which opened only a week ago as of this post.

A big part of what kept Coney Island’s local culture on life-support long enough to return is the non-profit organization Coney Island USA, based in the landmarked Childs Restaurant building, who run the Coney Island Museum, Sideshows by the Seashore, and the Shooting Gallery/Arts Annex. And, most relevant, they are the official organizers of the Mermaid Parade.

To get a nice summary of Coney Island history, check out this podcast (Part 1, Part 2) by The Bowery Boys, who do a New York City podcast I enjoy, or see the accompanying blog post with some cool old photos.

Naturally, I took a whole lot of photos all three times and even after winnying them down to good one still had a few dozen for each year, so I’m embedding a handful of photos in-line and then linking to the Flickr galleries.

2011 Mermaid Parade Photo Gallery


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2012 Mermaid Parade Gallery


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2013 Mermaid Parade Photo Gallery


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If I were making Tokyo Vice with Daniel Radcliffe, here is what the story would look like

The Tokyo Vice movie starring Daniel Radcliffe is apparently moving forward – Mr. Radcliffe has already started studying Japanese for the role of Jake, a young American who studies in japan and eventually lands first job as the first Western reporter for a Japanese newspaper.

I have read the book and am really rooting for this movie to be good. If successful it could inspire a new generation of young Americans to come study or live in Japan.

But I am worried that the story won’t have enough sizzle if the screenwriter (apparently a first timer) skews too closely to the source text.

In that spirit I offer my own version of the story that the film makers can feel free to draw from if they see anything interesting:

The movie opens with Jake hot on the trail of yakuza boss Goto. He is about to blow the lid off Goto’s illicit, FBI-brokered liver transplant, but one day a black Cadillac pulls up and forces Jake inside.

It turns out Jake’s been kidnapped and will be forced to fight in an underground cage fighting tournament. He wants to tell them to just fuck off and kill him now, but he wants to survive long enough to get revenge on Goto for killing his hostess girlfriend Lana all those years ago (we will learn Jake’s background through flashbacks). He would then fight progressively tougher bad guys with various gimmicks (nunchucks, poison-tipped blade fingernails, a dog).

Of course along the way Jake would develop a love interest with Goto’s daughter, the gun moll with a heart of gold who hates her father and wants to escape the mob life. She will be the one who sneaks him food and weapons to help him win.

Finally Jake would reach Goto who has had his brain and heart migrated to an android body after his replacement liver gave out and the FBI wouldnt let him have another one.

Robo-Goto would deliver an extended monologue about how weak and pathetic Americans are and how only the weakest loser Americans move to japan. And how does he know this for sure? Because (here’s the big twist) Goto killed Lana to take her liver and it only took him 7 years for his raging alcoholism to wear it out!

This obviously sends Jake into a blood rage (“Lana was British you ignorant sonofabitch“) and he delivers a perfectly aimed jump kick into the glass casing that houses Robo-Goto’s heart, killing Goto and sending him careening off the top of Yakuza Tower (the robot body explodes in mid air)

A heavily breathing and bloodied Jake is joined by the Goto daughter and the two exchange a desperately passionate kiss followed by some banter (“oh Jake I thought you’d never make it!” “Babe, if there’s one thing I’ve learned from all the hard work it took to become the first Western correspondent for a major Japanese newspaper, it this: never EVER say never”) and he carries her off to a better life as the girlfriend of a freelance reporter, which we learn from a caption that pops up as we fade to black.

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So there you have it – I realize there are a lot of blanks to fill in, but there is some rich character development potential. There could be scenes of Goto smacking around his subordinates just for the hell of it, Jake in his lowest moment screaming whyyyyyyyy toward the ceiling of his holding cell at a seemingly uncaring God, a flashback of Goto and Jake giving each other the evil eye across the room at a smoke-filled night club, etc.

For a change of pace you could use the flashbacks to show Jake as a fish out of water learning Japanese culture, bungling chopstick use, getting sprayed in the face by the washlet. And there could be tender scenes of Lana and Jake on a date cruelly broken up by the murderous Goto.

Anyway, I hope you are as excited for this movie as I am!
Please let us know your story ideas in the comments section or who you would cast. For Goto and daughter, I would use the father daughter team from Transporter, Ric Young and Qi Shu.